1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:24,593 --> 00:00:27,229 [WIND BLOWING] 4 00:00:27,295 --> 00:00:30,098 [SIREN IN DISTANCE] 5 00:00:39,241 --> 00:00:42,043 [PEOPLE CHATTERING] 6 00:00:49,618 --> 00:00:52,621 [MUSIC PLAYING] 7 00:00:52,687 --> 00:00:56,791 Kevin: ♪ AW, ONE, TWO PRINCES KNEEL BEFORE YOU ♪ 8 00:00:56,858 --> 00:00:58,260 Teen: ♪ THAT'S WHAT I SAID NOW ♪ 9 00:00:58,326 --> 00:01:01,496 ♪ PRINCES, PRINCES WHO ADORE YOU ♪ 10 00:01:01,563 --> 00:01:02,831 ♪ JUST GO AHEAD NOW ♪ 11 00:01:02,898 --> 00:01:05,667 ♪ ONE HAS-- ♪ 12 00:01:05,734 --> 00:01:07,335 ♪ AND THAT'S SOME BREAD NOW ♪ 13 00:01:07,402 --> 00:01:10,405 ♪ THIS ONE SAID HE WANTS TO BUY YOU ROCKETS ♪ 14 00:01:10,472 --> 00:01:11,806 ♪ AIN'T IN HIS HEAD ♪ 15 00:01:11,873 --> 00:01:14,609 ♪ MARRY HIM OR MARRY ME... ♪ 16 00:01:14,676 --> 00:01:16,778 Kevin: IT ALL STARTED BECAUSE OF A GIRL AT A PARTY. 17 00:01:16,845 --> 00:01:18,580 ♪ I AIN'T GOT NO FUTURE OR FAMILY TREE ♪ 18 00:01:18,647 --> 00:01:21,683 Kevin: SPRING, 1994. 19 00:01:21,750 --> 00:01:23,785 THAT WAS OUR BAND-- GRANITE. 20 00:01:23,852 --> 00:01:25,887 WE WERE ALL ABOUT THE ROCK. 21 00:01:25,954 --> 00:01:27,789 I MEAN, WE WERE HARDCORE. 22 00:01:27,856 --> 00:01:30,959 ♪ AND IF YOU WANT TO TELL ME MAYBE ♪ 23 00:01:31,026 --> 00:01:32,527 ♪ JUST GO AHEAD NOW ♪ 24 00:01:32,594 --> 00:01:35,363 ♪ AND IF YOU WANT TO BUY ME FLOWERS ♪ 25 00:01:35,430 --> 00:01:36,898 ♪ JUST GO AHEAD NOW ♪ 26 00:01:36,965 --> 00:01:40,402 ♪ AND IF YOU LIKE TO TALK FOR HOURS ♪ 27 00:01:40,468 --> 00:01:42,570 ♪ JUST GO AHEAD NOW ♪ 28 00:01:42,637 --> 00:01:44,139 ♪ GO AHEAD NOW ♪ 29 00:01:44,205 --> 00:01:46,741 Crowd: GRANITE! GRANITE! 30 00:01:46,808 --> 00:01:48,910 [FEEDBACK] 31 00:01:48,977 --> 00:01:50,245 Crowd: GRANITE! GRANITE! 32 00:01:50,312 --> 00:01:52,047 Kevin: AND THIS WAS THE MOMENT. 33 00:01:52,113 --> 00:01:54,683 MY BIG CHANCE TO IMPRESS THE GIRL OF MY DREAMS. 34 00:01:54,749 --> 00:01:56,952 KEV, I GOT A GREAT IDEA. WHAT? 35 00:01:57,018 --> 00:01:58,787 WHY DON'T WE JUST SING THE BALLAD THAT I WROTE, 36 00:01:58,853 --> 00:02:00,155 DEDICATE IT TO HER, 37 00:02:00,221 --> 00:02:01,923 AND THEN WHEN IT'S OVER, JUST ASK HER OUT. 38 00:02:01,990 --> 00:02:03,591 COME ON, WHAT ARE YOU, STUPID? SHE'S RIGHT THERE. 39 00:02:03,658 --> 00:02:04,826 ALL RIGHT, LET'S DO THE BALLAD. 40 00:02:04,893 --> 00:02:06,361 I CAN DO THIS. 41 00:02:06,428 --> 00:02:08,063 Girl: GRANITE! 42 00:02:08,129 --> 00:02:09,931 YEAH, KEVIN, YOU CAN DO IT. 43 00:02:11,366 --> 00:02:12,801 COME ON, KEVIN. 44 00:02:12,867 --> 00:02:15,203 DON'T BE SUCH A WUSS. COME ON, JUST DO IT. 45 00:02:15,270 --> 00:02:17,472 Kevin: I DIDN'T DO IT. I JUST FROZE. 46 00:02:17,539 --> 00:02:18,873 COME ON, KEVIN, DON'T BE A TULIP! 47 00:02:18,940 --> 00:02:20,809 Kevin: MY HEART STARTED POUNDING. 48 00:02:20,875 --> 00:02:22,310 MY PITS STARTED SWEATING. 49 00:02:22,377 --> 00:02:25,246 Crowd: AW... I FELT NAKED UP THERE. 50 00:02:25,313 --> 00:02:26,348 KEVIN. 51 00:02:26,414 --> 00:02:27,549 KEVIN. KEVIN! 52 00:02:27,615 --> 00:02:30,352 [LAUGHTER] 53 00:02:30,418 --> 00:02:31,786 WHAT IS IT? 54 00:02:39,327 --> 00:02:40,962 [THUD] 55 00:02:41,029 --> 00:02:42,464 I CAN'T BELIEVE IT, MAN. 56 00:02:42,530 --> 00:02:45,133 THAT STORY GETS FUNNIER EVERY TIME I HEAR IT. 57 00:02:45,200 --> 00:02:46,801 YEAH. THANKS FOR THE SUPPORT. 58 00:02:46,868 --> 00:02:48,870 MAN, COME ON. YOU KNOW WHAT YOUR PROBLEM IS? 59 00:02:48,937 --> 00:02:50,605 I THINK IT'S A LACK OF SELF-CONFIDENCE. 60 00:02:50,672 --> 00:02:53,375 I MEAN, I KNOW YOU GO OUT ON DATES AND EVERYTHING, 61 00:02:53,441 --> 00:02:55,343 BUT I THINK WHEN YOU FIND THE GIRL OF YOUR DREAMS, 62 00:02:55,410 --> 00:02:57,178 YOU CAN'T SEAL THE DEAL, YOU KNOW? 63 00:02:57,245 --> 00:02:59,280 PICK THE FRUIT, SPIT THE WAD. 64 00:02:59,347 --> 00:03:00,348 YOU KNOW WHAT I'M SAYING? 65 00:03:00,415 --> 00:03:02,550 NO, I DON'T. 66 00:03:02,617 --> 00:03:04,452 Boy: I THINK WHAT YOUR FRIEND IS TRYING TO SAY 67 00:03:04,519 --> 00:03:06,855 IS THAT YOU'RE SUFFERING FROM A CLASSIC PSYCHOSOMATIC 68 00:03:06,921 --> 00:03:09,024 COMMUNICATIVE ANXIETY DISORDER. 69 00:03:09,090 --> 00:03:12,560 BASICALLY, YOU MEET THE RIGHT GIRL, YOU CHOKE. 70 00:03:12,627 --> 00:03:14,629 THAT'S WHAT I WAS SAYING. 71 00:03:14,696 --> 00:03:16,197 DUDE, YOU GOT TO RELAX. 72 00:03:16,264 --> 00:03:17,699 WATCH ME WORK. 73 00:03:20,301 --> 00:03:21,770 FRENCH FRY? 74 00:03:25,874 --> 00:03:27,208 [BELL RINGS] 75 00:03:28,777 --> 00:03:31,079 [MUSIC PLAYING] 76 00:03:48,963 --> 00:03:52,000 FKR. HOW CAN I DIRECT YOUR CALL? 77 00:03:52,067 --> 00:03:53,635 HOLD, PLEASE. 78 00:03:53,702 --> 00:03:54,803 YEAH. HAVE IT UNDER CONTROL? 79 00:03:54,869 --> 00:03:56,771 GOOD MORNING, MARGIE. 80 00:03:56,838 --> 00:03:59,474 FKR. HOW CAN I DIRECT YOUR CALL? 81 00:03:59,541 --> 00:04:01,509 HOLD, PLEASE. OK. 82 00:04:03,978 --> 00:04:04,979 ♪ HEY, BABY ♪ 83 00:04:05,046 --> 00:04:06,014 ♪ HEY, BABY ♪ 84 00:04:06,081 --> 00:04:07,048 ♪ YEAH, BABY ♪ 85 00:04:07,115 --> 00:04:08,683 ♪ YEAH, BABY ♪ 86 00:04:08,750 --> 00:04:09,717 ♪ HEY, BABY ♪ 87 00:04:09,784 --> 00:04:10,819 ♪ YEAH, BABY ♪ 88 00:04:10,885 --> 00:04:12,187 ♪ YEAH, BABY ♪ 89 00:04:12,253 --> 00:04:13,221 OOPS. 90 00:04:14,456 --> 00:04:17,759 [WOMEN CHATTERING AND LAUGHING] 91 00:04:29,671 --> 00:04:31,906 HEY, NATHAN, HOW'S IT GOING? 92 00:04:31,973 --> 00:04:33,975 I GOT TO SPEND ANOTHER ONE OF MY REMAINING DAYS 93 00:04:34,042 --> 00:04:35,410 IN THIS PURGATORY. 94 00:04:35,477 --> 00:04:38,046 I GOT CATARACTS THE SIZE OF CANTALOUPES, 95 00:04:38,113 --> 00:04:40,014 AND I HAVEN'T HAD A DECENT BOWEL MOVEMENT 96 00:04:40,081 --> 00:04:43,051 SINCE THE REAGAN ADMINISTRATION. 97 00:04:43,118 --> 00:04:44,819 OK. 98 00:04:44,886 --> 00:04:46,521 [BASEBALL GAME ON TV] 99 00:04:46,588 --> 00:04:49,290 SO, ARE YOU EVER GOING TO TELL ME ABOUT THAT BASEBALL? 100 00:04:49,357 --> 00:04:50,492 NO. 101 00:04:50,558 --> 00:04:51,759 [MECHANICAL WHIR] 102 00:04:51,826 --> 00:04:53,795 [MACHINE BEEPING] 103 00:04:58,633 --> 00:04:59,868 COME ON, LUCILLE. 104 00:04:59,934 --> 00:05:01,870 DON'T DIE ON ME NOW. 105 00:05:01,936 --> 00:05:04,472 DADDY KNOWS YOU'RE TIRED, 106 00:05:04,539 --> 00:05:06,241 BUT DADDY ALSO KNOWS 107 00:05:06,307 --> 00:05:08,610 YOU GOT ANOTHER FEW IN YOU. 108 00:05:08,676 --> 00:05:10,979 YES, YOU DO. 109 00:05:11,045 --> 00:05:12,313 DO YOU REALLY THINK THAT WORKS? 110 00:05:12,380 --> 00:05:14,415 SOMETIMES, BUT WHEN IT DOESN'T, 111 00:05:14,482 --> 00:05:16,151 YOU GIVE HER A LITTLE LOVE TAP. 112 00:05:16,217 --> 00:05:17,485 [CLUNK] 113 00:05:17,552 --> 00:05:18,887 [MACHINE WHIRS] 114 00:05:21,289 --> 00:05:22,457 UHH. 115 00:05:24,826 --> 00:05:26,194 GOOD MORNING, JACKIE. 116 00:05:26,261 --> 00:05:27,862 Jackie: GOOD MORNING. 117 00:05:34,002 --> 00:05:36,371 UH, GIBBONS? 118 00:05:36,437 --> 00:05:39,340 I NEED YOU IN HERE, PLEASE. 119 00:05:39,407 --> 00:05:40,909 Higgins: YOU'VE DONE EXCELLENT WORK HERE, 120 00:05:40,975 --> 00:05:43,211 AND NOW LET ME ASK YOU A QUESTION. 121 00:05:43,278 --> 00:05:45,580 WHAT DOES REEBOK STAND FOR? 122 00:05:45,647 --> 00:05:47,182 UM, I BELIEVE THE REEBOK 123 00:05:47,248 --> 00:05:49,284 IS A TYPE OF AFRICAN GAZELLE. 124 00:05:49,350 --> 00:05:51,686 [LOUD WHIRRING] 125 00:05:51,753 --> 00:05:52,987 NO. 126 00:05:53,054 --> 00:05:55,657 REEBOK STANDS FOR CREDIBILITY 127 00:05:55,723 --> 00:05:58,026 AND PRESTIGE. 128 00:05:58,092 --> 00:06:00,094 WE ARE GOING GLOBAL. 129 00:06:01,729 --> 00:06:04,032 WHEATGRASS? I'LL PASS. 130 00:06:04,098 --> 00:06:05,466 REEBOK WANTS US TO DO 131 00:06:05,533 --> 00:06:08,803 THEIR FEMALE 'TWEENS FOOTWEAR CAMPAIGN. 132 00:06:08,870 --> 00:06:11,239 'TWEENS? 'TWEENS, GIBBONS-- 133 00:06:11,306 --> 00:06:13,374 FOR FEMALES BETWEEN THEIR ADOLESCENCE 134 00:06:13,441 --> 00:06:15,210 AND TEEN YEARS. GET WITH IT, GIBBONS. 135 00:06:15,276 --> 00:06:16,744 OHH. JACKIE, COULD YOU COME IN HERE, PLEASE? 136 00:06:16,811 --> 00:06:20,181 MR. HIGGINS, THIS IS SUCH A GREAT OPPORTUNITY FOR ME. 137 00:06:20,248 --> 00:06:21,683 I DON'T KNOW WHAT TO SAY. WELL, THEN DON'T SAY ANYTHING. 138 00:06:21,749 --> 00:06:24,285 I MIGHT CHANGE MY MIND. YOU WANTED TO SEE ME? 139 00:06:24,352 --> 00:06:26,721 YES. HOW'S THE REEBOK CAMPAIGN COMING ALONG? 140 00:06:26,788 --> 00:06:27,956 EXCELLENT, SIR. 141 00:06:28,022 --> 00:06:29,591 I HAVEN'T COMPLETED THE CONCEPT YET, 142 00:06:29,657 --> 00:06:30,892 BUT I'M CLOSE. 143 00:06:30,959 --> 00:06:34,195 WELL, YOU JUST GOT A LITTLE BIT CLOSER. 144 00:06:34,262 --> 00:06:37,432 GIBBONS HERE IS JOINING THE CREATIVE TEAM. 145 00:06:37,498 --> 00:06:38,700 HMM. 146 00:06:38,766 --> 00:06:42,036 Kevin: OK, REEBOK. 147 00:06:42,103 --> 00:06:43,738 ALL RIGHT. 148 00:06:43,805 --> 00:06:46,741 WE HAVE 2 BABY CHICKENS, 149 00:06:46,808 --> 00:06:48,977 AND THEY'RE BOTH WEARING REEBOKS. 150 00:06:49,043 --> 00:06:50,912 ONE IS GOING, "REE." 151 00:06:50,979 --> 00:06:53,514 THE OTHER IS GOING, "BOK." 152 00:06:53,581 --> 00:06:56,050 REEBOK, REEBOK. 153 00:06:56,117 --> 00:06:59,654 THAT'S MORONIC, MORONIC. 154 00:06:59,721 --> 00:07:00,955 [SIGHS] [SQUEAKS] 155 00:07:01,022 --> 00:07:02,023 I GOT IT. 156 00:07:02,090 --> 00:07:03,658 IMAGINE MY EXCITEMENT. 157 00:07:03,725 --> 00:07:05,827 WAIT. OK. PICTURE THIS. 158 00:07:05,894 --> 00:07:07,762 YOU HAVE GIRLS AT A PARTY, 159 00:07:07,829 --> 00:07:08,997 GIRLS ON THE SOCCER FIELD, 160 00:07:09,063 --> 00:07:10,832 GIRLS AT A CONCERT 161 00:07:10,898 --> 00:07:12,400 ALL WEARING REEBOK. 162 00:07:12,467 --> 00:07:14,335 AND THE TAG LINE? 163 00:07:14,402 --> 00:07:17,405 FOR GIRLS WHO CHOOSE TO MOVE. 164 00:07:19,107 --> 00:07:20,208 ♪ YEAH, BABY ♪ 165 00:07:20,275 --> 00:07:21,242 WHAT DO YOU THINK? 166 00:07:21,309 --> 00:07:22,410 I THINK THE WHEATGRASS 167 00:07:22,477 --> 00:07:24,212 HAS FINALLY GONE TO HIGGINS' HEAD 168 00:07:24,279 --> 00:07:25,847 FOR PUTTING YOU ON THE TEAM. 169 00:07:25,913 --> 00:07:27,181 YOU LIKED IT THAT MUCH? 170 00:07:27,248 --> 00:07:31,119 LOOK, I'VE WORKED AT THIS OFFICE FOR 5 YEARS. 171 00:07:31,185 --> 00:07:32,954 I'VE GOT SENIORITY ON YOU. 172 00:07:33,021 --> 00:07:35,456 THIS SHOULD BE MY ACCOUNT. 173 00:07:35,523 --> 00:07:37,892 YOU DON'T LIKE ME VERY MUCH, DO YOU? 174 00:07:37,959 --> 00:07:40,061 BRILLIANT DEDUCTION, SCOOBY. 175 00:07:40,128 --> 00:07:41,562 NOW LET'S GET BACK TO WORK 176 00:07:41,629 --> 00:07:46,234 AND COME UP WITH SOME GOOD IDEAS. 177 00:07:46,301 --> 00:07:49,937 Al Green: ♪ HEY, DIDN'T GO FOR THAT ♪ 178 00:07:50,004 --> 00:07:51,906 ♪ IT'S A NATURAL FACT ♪ 179 00:07:51,973 --> 00:07:53,308 ♪ NOW I WANNA COME BACK ♪ 180 00:07:53,374 --> 00:07:56,177 ♪ WON'T YOU SHOW ME WHERE IT'S AT ♪ 181 00:07:56,244 --> 00:07:59,314 ♪ WHERE IT'S AT ♪ 182 00:07:59,380 --> 00:08:01,449 ♪ I'M SO TIRED OF BEING ALONE ♪ 183 00:08:01,516 --> 00:08:04,052 ♪ I'M SO TIRED OF ON MY OWN ♪ 184 00:08:04,118 --> 00:08:06,254 ♪ WON'T YOU HELP ME, GIRL ♪ 185 00:08:06,321 --> 00:08:11,225 ♪ JUST AS SOON AS YOU CAN ♪ 186 00:08:11,292 --> 00:08:14,295 Al Green: ♪ YEAH, I GUESS YOU KNOW ♪ 187 00:08:14,362 --> 00:08:16,998 ♪ THAT I LOVE YOU SO ♪ 188 00:08:17,065 --> 00:08:18,433 SORRY. 189 00:08:18,499 --> 00:08:20,668 ♪ YOU DON'T WANT ME NO MORE ♪ 190 00:08:21,769 --> 00:08:23,971 [TURNS OFF MUSIC] 191 00:08:24,038 --> 00:08:25,740 Abbey: I CAN'T NEXT TO YOU. 192 00:08:29,644 --> 00:08:30,912 EXCUSE ME? 193 00:08:30,978 --> 00:08:32,080 I'M SO TIRED OF BEING ALONE 194 00:08:32,146 --> 00:08:33,948 IS A GREAT AL GREEN SONG, 195 00:08:34,015 --> 00:08:35,450 BUT I CAN'T GET NEXT TO YOU 196 00:08:35,516 --> 00:08:38,152 SEEMS A LITTLE MORE APPROPRIATE RIGHT NOW. 197 00:08:38,920 --> 00:08:40,088 AND WHY'S THAT? 198 00:08:40,154 --> 00:08:42,724 BECAUSE I CAN'T GET NEXT TO YOU. 199 00:08:44,058 --> 00:08:45,226 OH. 200 00:08:49,764 --> 00:08:51,499 Abbey: AHEM. 201 00:08:51,566 --> 00:08:52,734 THANKS. 202 00:08:57,105 --> 00:08:58,439 AHEM. 203 00:08:59,941 --> 00:09:02,143 I ENJOYED YOUR PERFORMANCE. 204 00:09:02,210 --> 00:09:04,278 THANKS. 205 00:09:04,345 --> 00:09:06,180 AL GREEN HELPS ME CLEAR MY HEAD. 206 00:09:06,247 --> 00:09:09,817 IT'S A MENTAL THING. YIKES. 207 00:09:09,884 --> 00:09:12,487 I HEAR HE'S PLAYING AT THE OPERA HOUSE IN 2 WEEKS. 208 00:09:12,553 --> 00:09:14,455 MAYBE HE'S LOOKING FOR AN OPENING ACT. 209 00:09:14,522 --> 00:09:15,690 YOU LIKE THE REVEREND? 210 00:09:15,757 --> 00:09:16,991 [LAUGHS] 211 00:09:17,058 --> 00:09:18,893 MY MOM WAS LISTENING TO LOVE AND HAPPINESS 212 00:09:18,960 --> 00:09:20,161 WHEN SHE WAS IN LABOR WITH ME. 213 00:09:20,228 --> 00:09:23,631 I THINK HE'S... DEFINITELY IN MY SOUL. 214 00:09:23,698 --> 00:09:25,366 HA HA. 215 00:09:28,002 --> 00:09:30,471 SO... WHAT DO YOU DO 216 00:09:30,538 --> 00:09:33,207 BESIDES APPROACH STRANGE MEN ON THE "L"? 217 00:09:34,275 --> 00:09:36,210 I GO TO SCHOOL-- GRAD SCHOOL. 218 00:09:36,277 --> 00:09:38,146 WHAT DO YOU STUDY? ARCHEOLOGY. 219 00:09:38,212 --> 00:09:39,313 ARCHEOLOGY. 220 00:09:39,380 --> 00:09:40,715 WHAT DO YOU DO BESIDES 221 00:09:40,782 --> 00:09:42,550 SERENADE STRANGE PEOPLE ON THE "L"? 222 00:09:42,617 --> 00:09:44,085 OH, WAIT. WAIT, WAIT. 223 00:09:44,152 --> 00:09:46,187 LET ME GUESS. 224 00:09:46,254 --> 00:09:50,425 YOU ARE AN AD MAN. 225 00:09:50,491 --> 00:09:53,327 NOW, HOW DID YOU DO THAT? 226 00:09:53,394 --> 00:09:54,862 IT'S STITCHED ON YOUR BAG. 227 00:09:54,929 --> 00:09:56,798 [LAUGHS] 228 00:09:59,634 --> 00:10:02,236 HAVE YOU DONE ANYTHING I MIGHT'VE SEEN? 229 00:10:02,303 --> 00:10:04,705 I DON'T KNOW. UH... 230 00:10:04,772 --> 00:10:06,908 I HAD A HAND IN THE POP SECRET POPCORN CAMPAIGN. 231 00:10:06,974 --> 00:10:09,777 ♪ BUTTER MAKES IT BETTER, BABY ♪ 232 00:10:09,844 --> 00:10:11,212 THAT'S IT. THAT'S ME. 233 00:10:11,279 --> 00:10:12,814 I ACTUALLY WROTE THAT. 234 00:10:12,880 --> 00:10:15,349 SO NOW WHEN I GO TO WRIGLEY AND ROOT FOR THE CUBBIES, 235 00:10:15,416 --> 00:10:17,552 I CAN LOOK UP AT THE BIG POP SECRET BILLBOARD 236 00:10:17,618 --> 00:10:18,820 AND THINK OF YOU. 237 00:10:18,886 --> 00:10:21,155 YOU'RE A CUBS FAN? HECK, YEAH. BORN AND RAISED. 238 00:10:21,222 --> 00:10:22,790 ALL RIGHT, ALL RIGHT. UM... 239 00:10:22,857 --> 00:10:26,327 SO, TELL ME. TELL ME YOUR BEST AND WORST CUB MOMENT. 240 00:10:26,394 --> 00:10:28,529 BEST-- WHENEVER THEY WIN. 241 00:10:28,596 --> 00:10:29,597 OF COURSE. 242 00:10:29,664 --> 00:10:31,999 WORST--GAME 5 IN THE '84 PLAYOFFS. 243 00:10:32,066 --> 00:10:35,570 Both: THE GROUND BALL WENT THROUGH DURHAM'S LEGS. 244 00:10:35,636 --> 00:10:37,038 THAT IS THE WORST MOMENT OF MY LIFE. 245 00:10:37,104 --> 00:10:38,706 HORRIBLE. I WAS SO DEPRESSED. 246 00:10:38,773 --> 00:10:40,475 I DIDN'T EVEN GO TO SCHOOL THE NEXT DAY. 247 00:10:40,541 --> 00:10:42,343 I CRIED. 248 00:10:42,410 --> 00:10:45,446 OK, MOST GUYS WOULDN'T ADMIT THAT. 249 00:10:45,513 --> 00:10:49,450 YEAH. I DON'T KNOW WHY I JUST TOLD YOU THAT. 250 00:10:56,424 --> 00:10:57,892 Driver: NEXT STOP, ADAMS-- 251 00:10:57,959 --> 00:11:00,161 ADAMS AND WABASH. 252 00:11:00,228 --> 00:11:01,629 THAT'S MY STOP. 253 00:11:01,696 --> 00:11:03,731 [LAUGHS] 254 00:11:03,798 --> 00:11:04,932 MINE, TOO. 255 00:11:07,835 --> 00:11:09,170 AFTER YOU. 256 00:11:09,237 --> 00:11:10,805 THANK YOU. 257 00:11:12,974 --> 00:11:14,108 SO, TELL ME SOMETHING 258 00:11:14,175 --> 00:11:16,611 THAT YOU WOULD ONLY TELL A STRANGER. 259 00:11:16,677 --> 00:11:19,113 UH...WHOO. 260 00:11:19,180 --> 00:11:21,215 I LIKE TO MAKE PAPER AIRPLANES. 261 00:11:21,282 --> 00:11:22,817 MY DAD'S A PILOT. 262 00:11:22,884 --> 00:11:23,851 REALLY? 263 00:11:25,486 --> 00:11:27,822 OH, WAIT. DO YOU HAVE A PIECE OF PAPER? 264 00:11:28,656 --> 00:11:30,591 YEAH, SURE. 265 00:11:30,658 --> 00:11:32,393 WHAT, AM I GOING TO GET, A LITTLE DEMONSTRATION? 266 00:11:32,460 --> 00:11:34,195 UH-HUH. A LITTLE DEMONSTRATION. 267 00:11:34,262 --> 00:11:36,297 THANK YOU. 268 00:11:38,666 --> 00:11:40,268 THAT'S VERY IMPRESSIVE. 269 00:11:40,334 --> 00:11:42,603 THANK YOU. IT'S MY OWN DESIGN. 270 00:11:42,670 --> 00:11:43,804 AH. 271 00:11:43,871 --> 00:11:46,240 ALL RIGHT, THIS IS MY FAVORITE SPOT. 272 00:11:46,307 --> 00:11:47,975 SO, YOU'VE DONE THIS BEFORE? 273 00:11:48,042 --> 00:11:49,210 MANY TIMES. 274 00:11:49,277 --> 00:11:50,611 YOU READY? 275 00:11:50,678 --> 00:11:51,913 I GUESS. 276 00:11:51,979 --> 00:11:53,848 HERE WE GO. 277 00:11:53,915 --> 00:11:55,883 STRONG TAKEOFF. 278 00:11:55,950 --> 00:11:57,451 SMOOTH FLIGHT. 279 00:11:57,518 --> 00:11:59,120 EXCELLENT PAPER AIRPLANE. 280 00:11:59,187 --> 00:12:00,187 Abbey: THANK YOU. 281 00:12:00,254 --> 00:12:03,558 OH! HA HA HA! 282 00:12:03,624 --> 00:12:05,793 BUT I THINK YOUR LANDING NEEDS A LITTLE WORK. 283 00:12:05,860 --> 00:12:07,328 YEAH, A LITTLE. 284 00:12:07,395 --> 00:12:08,863 DEFINITELY. 285 00:12:08,930 --> 00:12:10,698 ALL RIGHT, DON'T THINK YOU'RE GETTING OFF SO EASY. 286 00:12:10,765 --> 00:12:11,532 IT'S YOUR TURN. 287 00:12:11,599 --> 00:12:14,869 I DON'T KNOW. UM... 288 00:12:14,936 --> 00:12:17,371 LET'S SEE. UHH. 289 00:12:17,438 --> 00:12:20,708 OK. YOU'RE TOTALLY GOING TO THINK I'M LAME, 290 00:12:20,775 --> 00:12:22,944 BUT I CAN NAME ALL THE PRESIDENTS 291 00:12:23,010 --> 00:12:24,745 IN ORDER. 292 00:12:24,812 --> 00:12:26,547 WASHINGTON, ADAMS, JEFFERSON, MADISON, 293 00:12:26,614 --> 00:12:28,316 MONROE, ADAMS, JACKSON, VAN BUREN, 294 00:12:28,382 --> 00:12:30,651 HARRISON, TYLER, POLK, TAYLOR, FILLMORE, 295 00:12:30,718 --> 00:12:32,587 PIERCE, BUCHANAN, LINCOLN, JOHNSON, GRANT, 296 00:12:32,653 --> 00:12:34,155 HAYES, GARFIELD, ARTHUR, 297 00:12:34,222 --> 00:12:35,356 CLEVELAND, HARRISON... 298 00:12:35,423 --> 00:12:37,358 Both: McKINLEY, ROOSEVELT, TAFT, 299 00:12:37,425 --> 00:12:39,293 WILSON, HARDING, COOLIDGE, 300 00:12:39,360 --> 00:12:41,395 HOOVER, ROOSEVELT, TRUMAN, 301 00:12:41,462 --> 00:12:43,431 EISENHOWER, KENNEDY, JOHNSON, 302 00:12:43,497 --> 00:12:45,032 NIXON, FORD, CARTER, REAGAN, 303 00:12:45,099 --> 00:12:47,301 BUSH, CLINTON, BUSH. 304 00:12:48,135 --> 00:12:49,737 WOW. HA HA! 305 00:12:49,804 --> 00:12:52,206 OK, I THINK WE'RE THE ONLY 2 PEOPLE IN THE WORLD 306 00:12:52,273 --> 00:12:53,608 WHO CAN DO THAT AT THE SAME TIME. 307 00:12:53,674 --> 00:12:56,210 I THINK YOU MAY BE RIGHT. 308 00:12:56,277 --> 00:12:57,578 OK, THAT'S AMAZING. 309 00:12:57,645 --> 00:13:00,014 [LAUGHS] 310 00:13:00,081 --> 00:13:01,649 UM... 311 00:13:01,716 --> 00:13:04,952 I GOT TO CATCH THE CONNECTING TRAIN. 312 00:13:05,019 --> 00:13:06,053 RIGHT. 313 00:13:06,120 --> 00:13:07,888 UM... 314 00:13:07,955 --> 00:13:09,523 WELL, LISTEN... 315 00:13:09,590 --> 00:13:11,392 IT WAS A PLEASURE... 316 00:13:15,029 --> 00:13:16,764 COMMUTING WITH YOU. 317 00:13:18,065 --> 00:13:19,934 YEAH, IT REALLY WAS. 318 00:13:24,138 --> 00:13:26,040 WELL... 319 00:13:28,809 --> 00:13:29,944 BYE. 320 00:13:42,990 --> 00:13:44,458 HA HA! 321 00:13:54,735 --> 00:13:56,070 ♪ COME ON ♪ 322 00:13:56,137 --> 00:13:57,605 ♪ LOVE IS LIKE A BOMB, BABY ♪ 323 00:13:57,672 --> 00:13:59,073 ♪ COME ON, GET IT ON ♪ 324 00:13:59,140 --> 00:14:04,145 ♪ LIVIN' LIKE A LOVER WITH A RADAR PHONE ♪ 325 00:14:04,211 --> 00:14:07,648 ♪ HEY! TO THE BONE ♪ 326 00:14:07,715 --> 00:14:08,816 ♪ RISE A LITTLE, DANCE A LITTLE ♪ 327 00:14:08,883 --> 00:14:10,584 ♪ FLASH A LITTLE LIGHT ♪ 328 00:14:10,651 --> 00:14:13,754 ♪ TELEVISION LOVER, BABY, GO ALL NIGHT ♪ 329 00:14:13,821 --> 00:14:16,557 ♪ TAKE THE BOTTLE ♪ 330 00:14:16,624 --> 00:14:19,260 ♪ SHAKE IT UP ♪ 331 00:14:19,326 --> 00:14:22,029 ♪ BREAK THE BUBBLE ♪ 332 00:14:22,096 --> 00:14:24,432 ♪ BREAK IT UP ♪ 333 00:14:24,498 --> 00:14:27,868 ♪ POUR SOME SUGAR ON ME ♪ 334 00:14:27,935 --> 00:14:29,804 ♪ OOH, IN THE NAME OF LOVE ♪ 335 00:14:29,870 --> 00:14:31,339 YO, MAN, COME ON, TELL ME WHAT HAPPENED. 336 00:14:31,405 --> 00:14:32,773 YOU'RE SITTING ON THE TRAIN. SHE STANDS UP. 337 00:14:32,840 --> 00:14:34,208 DOOR'S OPEN. SHE'S ABOUT TO GET OFF, 338 00:14:34,275 --> 00:14:35,543 BUT SHE STOPS, RIGHT? 339 00:14:35,609 --> 00:14:36,944 DID YOU SAY SOMETHING TO HER? 340 00:14:37,011 --> 00:14:38,612 I SAID IT WAS A PLEASURE COMMUTING WITH HER. 341 00:14:38,679 --> 00:14:41,315 "IT WAS A PLEASURE COMMUTING WITH YOU?" 342 00:14:41,382 --> 00:14:42,650 ♪ I'M HOT ♪ 343 00:14:42,717 --> 00:14:44,518 OH, THAT'S GREAT. YOU COULDN'T SAY, LIKE-- 344 00:14:44,585 --> 00:14:45,720 [COUGHS] ♪ FROM MY HEAD ♪ 345 00:14:45,786 --> 00:14:47,088 NO NUMBER, NO FINGERPRINTS, 346 00:14:47,154 --> 00:14:49,056 NO PLACE OF BUSINESS? 347 00:14:49,123 --> 00:14:51,358 OK, FINE. I TANKED. 348 00:14:51,425 --> 00:14:53,961 AGAIN? MAN, YOU NEED SOME HELP. 349 00:14:54,028 --> 00:14:55,129 YEAH. 350 00:15:06,440 --> 00:15:08,476 [FEEDBACK] 351 00:15:08,542 --> 00:15:10,311 [CROWD CHEERS, WHISTLES] 352 00:15:10,378 --> 00:15:11,679 YEAH! 353 00:15:11,746 --> 00:15:15,216 Man: COME ON! OW! WHOO! MAN. 354 00:15:15,282 --> 00:15:16,250 WHAT'S UP, GUYS? 355 00:15:16,317 --> 00:15:18,919 HEY, THAT WAS HOT, MAN. 356 00:15:18,986 --> 00:15:20,588 IT WAS GREAT. IT WAS FANTASTIC. 357 00:15:20,654 --> 00:15:23,124 IT STUNK. I MEAN I CAN'T FREAKIN' BELIEVE THESE GUYS. 358 00:15:23,190 --> 00:15:25,626 MAN, I MEAN, THE BAND WAS JUST AWFUL. 359 00:15:25,693 --> 00:15:27,862 DUDE, IT WASN'T THAT BAD. COME ON, I WAS IN THE BAND. 360 00:15:27,928 --> 00:15:30,965 YOU. YOU SHOULD'VE NEVER-- DON'T EVEN START THIS, MAN. 361 00:15:31,031 --> 00:15:32,500 YOU SHOULD'VE NEVER QUIT THE BAND. 362 00:15:32,566 --> 00:15:34,135 GENTLEMEN, THIS IS THE OLDEST ARGUMENT. 363 00:15:34,201 --> 00:15:35,436 IT WAS A HIGH SCHOOL BAND. 364 00:15:35,503 --> 00:15:37,371 NO, IT WASN'T. YOU KNOW WHAT IT WAS. 365 00:15:37,438 --> 00:15:40,674 YEAH. IT WAS THE BEST HIGH SCHOOL BAND EVER! 366 00:15:40,741 --> 00:15:43,611 Both: GRANITE! GRANITE! GRANITE! GRANITE! 367 00:15:43,677 --> 00:15:46,881 GIMME SOME! GIMME SOME! GIMME SOME! GIMME SOME! 368 00:15:46,947 --> 00:15:48,549 THE CHICKS WERE HOT, MAN. THEY WERE GREAT. 369 00:15:48,616 --> 00:15:50,184 YEAH. OH, MY GOSH. 370 00:15:50,251 --> 00:15:51,919 IS THAT BRADY FREAKIN' FRANCES? 371 00:15:51,986 --> 00:15:53,554 WHAT YOU DIDN'T KNOW HE WROTE A COLUMN FOR THE POST? 372 00:15:53,621 --> 00:15:55,589 NO. OOH, THAT'S RIGHT. I FORGOT. 373 00:15:55,656 --> 00:15:57,491 YOU JUST SKIP RIGHT TO THE FAMILY CIRCUS. 374 00:15:57,558 --> 00:15:58,993 HEY, FAMILY CIRCUS IS A GOOD COMIC. 375 00:15:59,059 --> 00:16:01,428 IT'S, LIKE, ONE SQUARE, AND THEN YOU'RE DONE WITH IT, OK? 376 00:16:01,495 --> 00:16:03,164 BRADY FRANCES-- NO, BRADY FRANCES-- 377 00:16:03,230 --> 00:16:05,099 THE GUY THAT KEVIN SWOOPED IN ON HIS GIRL 378 00:16:05,166 --> 00:16:08,235 BACK IN HIGH SCHOOL PROM TIME, YOU REMEMBER? 379 00:16:08,302 --> 00:16:11,939 OH, MY GOODNESS. THAT WAS A FREAKIN' CLASSIC, MAN. 380 00:16:12,006 --> 00:16:13,507 IT WAS A CALAMITY IS WHAT IT WAS. 381 00:16:13,574 --> 00:16:14,875 THAT'S NOT EXACTLY WHAT HAPPENED. 382 00:16:14,942 --> 00:16:17,044 AW, MAN. THAT WAS 7 YEARS AGO. 383 00:16:17,111 --> 00:16:18,646 I GOT ANOTHER SET, GUYS, TO DO, SO... 384 00:16:18,712 --> 00:16:19,880 HEY, PLAY SOMETHING GOOD. 385 00:16:19,947 --> 00:16:21,282 HAVE A GOOD SET. Rod: OK. 386 00:16:21,348 --> 00:16:22,716 HEY, LOOK, MAN, LET'S FACE IT. 387 00:16:22,783 --> 00:16:23,884 YOU'RE 24 YEARS OLD. IT'S NOT THE FIRST TIME 388 00:16:23,951 --> 00:16:25,286 YOU EVER CHOKED WITH A CHICK. 389 00:16:25,352 --> 00:16:26,821 YOU KNOW WHAT I'M SAYING? YOU GOT A PROBLEM. 390 00:16:26,887 --> 00:16:28,923 YEAH, BUT THIS IS DIFFERENT. 391 00:16:28,989 --> 00:16:30,357 I MEAN... 392 00:16:30,424 --> 00:16:32,793 THIS GIRL WAS INCREDIBLE. YEAH? 393 00:16:32,860 --> 00:16:34,829 YOU KNOW, IT'S EMBARRASSING WHEN EVERYONE KNOWS YOU 394 00:16:34,895 --> 00:16:36,230 AS THE GUY THAT ALWAYS CHOKES. 395 00:16:36,297 --> 00:16:38,599 HEY, MAN, COME ON. NOT EVERYBODY KNOWS THAT. 396 00:16:38,666 --> 00:16:40,100 2 MORE, PLEASE. 397 00:16:40,167 --> 00:16:42,303 [PLAYING GUITAR] 398 00:16:42,369 --> 00:16:43,737 KEVIN... 399 00:16:43,804 --> 00:16:45,873 THIS ONE'S FOR YOU. 400 00:16:48,042 --> 00:16:50,644 ♪ KEVIN SITS SILENTLY STILL ♪ 401 00:16:50,711 --> 00:16:52,780 ♪ IN THE DEAD OF THE DAY ♪ 402 00:16:52,847 --> 00:16:54,014 HUH? 403 00:16:54,081 --> 00:16:57,384 ♪ WONDERIN' IF HE FINDS THAT GIRL ♪ 404 00:16:57,451 --> 00:16:59,520 ♪ THAT JUST WALKED AWAY ♪ 405 00:16:59,587 --> 00:17:00,921 HMM... 406 00:17:00,988 --> 00:17:02,690 ♪ WAS IT SOMETHING HE SAID ♪ 407 00:17:02,756 --> 00:17:04,225 ♪ OR SOMETHING HE DID ♪ 408 00:17:04,291 --> 00:17:07,728 ♪ DID THE WORDS NOT COME OUT RIGHT ♪ 409 00:17:07,795 --> 00:17:10,731 ♪ HE DIDN'T TRY TO GET THE DIGITS ♪ 410 00:17:10,798 --> 00:17:12,666 ♪ HE DIDN'T TRY ♪ 411 00:17:12,733 --> 00:17:14,869 ♪ BUT I GUESS THAT'S WHY THEY SAY ♪ 412 00:17:14,935 --> 00:17:18,639 ♪ KEVIN CRAPPED OUT ON HIS OWN ♪ 413 00:17:18,706 --> 00:17:21,375 [PATS BACK] UH... NOW EVERYBODY KNOWS. 414 00:17:21,442 --> 00:17:23,010 ♪ BUT HIS FRIENDS ♪ 415 00:17:23,077 --> 00:17:27,448 ♪ WOULD'VE HELPED HIM ALL ALONG ♪ 416 00:17:27,514 --> 00:17:29,183 ♪ THAT POOR BONEHEAD ♪ 417 00:17:33,654 --> 00:17:35,556 AW, MAN, YOU CAN TRACK HER DOWN, YOU KNOW. 418 00:17:35,623 --> 00:17:36,590 HOW? 419 00:17:36,657 --> 00:17:38,158 I DON'T KNOW. LOJACK. 420 00:17:38,225 --> 00:17:40,828 YOU COULD, UM... RIDE THE TRAIN EVERY DAY LOOKING FOR HER. 421 00:17:40,895 --> 00:17:43,030 YOU COULD PUT UP POSTERS ALL OVER TOWN. I DON'T KNOW. 422 00:17:43,097 --> 00:17:45,499 YEAH. "SINGLE WHITE MALE SEEKS COMMUTER ON TRAIN 423 00:17:45,566 --> 00:17:46,967 TO SHARE INTIMATE SECRETS." 424 00:17:47,034 --> 00:17:48,769 [LAUGHS] YEAH, BUD, THAT'S KIND OF COOL, 425 00:17:48,836 --> 00:17:50,504 BUT I WAS THINKING MORE LIKE, 426 00:17:50,571 --> 00:17:51,872 "DOG WHO LOSES BONE 427 00:17:51,939 --> 00:17:53,841 SEEKS TRAIN TRAMP." 428 00:17:53,908 --> 00:17:55,109 [BARKS] 429 00:17:56,043 --> 00:17:57,177 BRAIN DAMAGE. 430 00:18:00,648 --> 00:18:02,016 [DOOR OPENS] 431 00:18:06,620 --> 00:18:07,821 [DOOR CLOSES] 432 00:18:10,491 --> 00:18:12,092 HEY, YOU. YOU'RE BACK. 433 00:18:12,159 --> 00:18:13,661 HEY. 434 00:18:14,895 --> 00:18:18,098 SO, HOW WAS YOUR WEEKEND IN CHICAGO, HMM? 435 00:18:18,165 --> 00:18:21,201 MMM. IT WAS FINE. 436 00:18:21,268 --> 00:18:23,404 WAIT, WAIT, WAIT. 437 00:18:23,470 --> 00:18:24,805 SIT. 438 00:18:26,073 --> 00:18:27,508 YOU JUST SPENT THE WEEKEND 439 00:18:27,575 --> 00:18:28,776 WITH YOUR BOYFRIEND OF 3 YEARS, 440 00:18:28,842 --> 00:18:30,678 WHO YOU HAVEN'T SEEN IN OVER A MONTH. 441 00:18:30,744 --> 00:18:33,080 THAT DESERVES A "PHENOMENAL" 442 00:18:33,147 --> 00:18:34,848 OR AT LEAST AN "EXCEPTIONAL," 443 00:18:34,915 --> 00:18:36,750 BUT DEFINITELY NOT JUST A "FINE." 444 00:18:36,817 --> 00:18:37,985 WHAT IS UP? 445 00:18:38,052 --> 00:18:40,621 I FOUND A GREAT APARTMENT IN LAKEVIEW. 446 00:18:40,688 --> 00:18:41,956 IT'S RIGHT BY WRIGLEY, 447 00:18:42,022 --> 00:18:43,857 AND I CAN MOVE IN RIGHT AFTER GRADUATION. 448 00:18:43,924 --> 00:18:45,759 BUT I THOUGHT THAT... 449 00:18:45,826 --> 00:18:48,562 THAT YOU AND PAUL WERE GOING TO MOVE IN TOGETHER. 450 00:18:48,629 --> 00:18:50,130 [SIGHS] 451 00:18:50,197 --> 00:18:51,899 I DON'T KNOW, SAM. 452 00:18:51,966 --> 00:18:54,234 EVERYTHING IS SO DIFFERENT. 453 00:18:58,372 --> 00:18:59,606 [LAUGHS] 454 00:18:59,673 --> 00:19:01,008 WHAT? 455 00:19:01,976 --> 00:19:03,911 I MET A GUY ON THE TRAIN. 456 00:19:03,978 --> 00:19:05,379 YOU MET A GUY ON THE TRAIN? 457 00:19:05,446 --> 00:19:06,847 YES. HE WAS SO CUTE, 458 00:19:06,914 --> 00:19:08,716 AND HE WAS SO NICE. 459 00:19:08,782 --> 00:19:11,852 AND HE TOTALLY LISTENED TO ME. 460 00:19:11,919 --> 00:19:13,053 UHH. 461 00:19:15,489 --> 00:19:17,891 WE CONNECTED MORE IN 5 MINUTES 462 00:19:17,958 --> 00:19:21,161 THAN I HAVE WITH PAUL OVER THE PAST YEAR. 463 00:19:21,228 --> 00:19:22,730 HA HA! 464 00:19:24,264 --> 00:19:25,799 ABBEY. HA HA! 465 00:19:26,967 --> 00:19:29,136 WELL, YOU ALREADY KNOW JACKIE, 466 00:19:29,203 --> 00:19:32,573 SO LET ME INTRODUCE THE NEW MEMBER OF MY CREATIVE TEAM 467 00:19:32,639 --> 00:19:33,707 KEVIN GIBBONS. 468 00:19:33,774 --> 00:19:35,009 AND MAY I SAY THAT MY TEAM 469 00:19:35,075 --> 00:19:36,377 HAS COME UP WITH A CAMPAIGN 470 00:19:36,443 --> 00:19:38,312 THAT I FEEL YOU WILL ALL AGREE 471 00:19:38,379 --> 00:19:40,781 HAS UNIVERSAL APPEAL. 472 00:19:40,848 --> 00:19:43,651 SO, WITHOUT ANY FURTHER ADO, 473 00:19:43,717 --> 00:19:45,719 ALLOW ME TO PRESENT... 474 00:19:48,555 --> 00:19:50,057 [SIGHS] 475 00:19:51,358 --> 00:19:54,061 AND THE TAG LINE IS... 476 00:19:54,128 --> 00:19:55,362 "REEBOK-- 477 00:19:55,429 --> 00:19:59,266 STEP INTO THE FUTURE." 478 00:20:00,467 --> 00:20:02,770 [CRICKETS CHIRPING] 479 00:20:06,640 --> 00:20:07,975 [GULP] 480 00:20:08,542 --> 00:20:11,211 [WHISPERING] 481 00:20:11,278 --> 00:20:14,415 IT'S A LITTLE, UH, COLD. HMM? 482 00:20:14,481 --> 00:20:16,784 WE WERE HOPING FOR SOMETHING MORE LIVELY, 483 00:20:16,850 --> 00:20:19,653 WITH A LITTLE MORE DEPTH. 484 00:20:19,720 --> 00:20:20,921 HUH. ACTUALLY-- 485 00:20:20,988 --> 00:20:23,157 ACTUALLY, WE TOTALLY AGREE. 486 00:20:23,223 --> 00:20:26,393 THAT'S WHY I--WE CAME UP WITH SOMETHING 487 00:20:26,460 --> 00:20:28,429 SO FABULOUS. 488 00:20:28,495 --> 00:20:29,663 DID WE? 489 00:20:29,730 --> 00:20:31,565 WELL, I DON'T LIKE SURPRISES, YOU KNOW. 490 00:20:31,632 --> 00:20:32,933 MMM. 491 00:20:33,000 --> 00:20:34,535 LET ME PRESENT TO YOU 492 00:20:34,601 --> 00:20:38,806 WHAT WE BELIEVE WILL BE REEBOK'S NEW CAMPAIGN. 493 00:20:50,751 --> 00:20:54,288 AHEM. GIRLS AT A PARTY, 494 00:20:54,354 --> 00:20:55,856 GIRLS AT SCHOOL, 495 00:20:55,923 --> 00:20:57,091 GIRLS AT A CONCERT, 496 00:20:57,157 --> 00:20:59,426 GIRLS AT A SOCCER FIELD-- 497 00:20:59,493 --> 00:21:01,595 ALL WEARING REEBOKS. 498 00:21:01,662 --> 00:21:03,130 THE TAGLINE? 499 00:21:03,197 --> 00:21:06,033 "FOR GIRLS WHO CHOOSE TO MOVE." 500 00:21:09,703 --> 00:21:10,704 BUT THAT'S-- 501 00:21:10,771 --> 00:21:12,606 THAT'S GREAT. 502 00:21:12,673 --> 00:21:14,108 WHEN CAN YOU HAVE IT BY? 503 00:21:14,174 --> 00:21:17,111 UH, KEVIN HERE COULD MAKE COPIES OF THE MOCK-UPS 504 00:21:17,177 --> 00:21:18,445 AND MESSENGER THEM OVER TO YOU 505 00:21:18,512 --> 00:21:19,713 BY THE END OF THE BUSINESS DAY. 506 00:21:19,780 --> 00:21:21,014 COULDN'T YOU, KEVIN? 507 00:21:22,316 --> 00:21:24,485 SURE. 508 00:21:24,551 --> 00:21:26,053 Higgins: WONDERFUL, WONDERFUL. 509 00:21:26,120 --> 00:21:28,889 PHENOMENAL WORK, JACKIE. 510 00:21:31,091 --> 00:21:32,826 WHY DIDN'T I SAY ANYTHING? 511 00:21:32,893 --> 00:21:34,895 WHY DIDN'T I SAY ANYTHING? 512 00:21:34,962 --> 00:21:36,396 I KNOW WHY. I KNOW WHY. 513 00:21:36,463 --> 00:21:38,332 IT'S BECAUSE I'M AFRAID TO TAKE A CHANCE. 514 00:21:38,398 --> 00:21:40,400 BECAUSE I'M AFRAID TO TAKE A CHANCE. 515 00:21:41,702 --> 00:21:43,137 [SIGHS] 516 00:21:44,004 --> 00:21:46,173 [COPY MACHINE WHIRRING] 517 00:21:47,674 --> 00:21:49,243 I'M SITTING ON THE SIDELINES 518 00:21:49,309 --> 00:21:51,378 ALL MY LIFE. 519 00:21:51,445 --> 00:21:53,881 WHY AM I SO SCARED? 520 00:21:53,947 --> 00:21:56,083 ALWAYS AFRAID TO TAKE A CHANCE. 521 00:21:59,186 --> 00:22:01,688 Man: ♪ I'M LAYIN' IT ON THE LINE ♪ 522 00:22:01,755 --> 00:22:03,056 ♪ TO SHOW YOU ♪ 523 00:22:03,123 --> 00:22:05,025 ♪ I'LL NEVER LET YOU GO ♪ 524 00:22:05,092 --> 00:22:07,928 ♪ ON THE LINE FOR YOUR LOVE ♪ 525 00:22:07,995 --> 00:22:10,964 ♪ THERE'S NOTHING I WANT MORE ♪ 526 00:22:14,001 --> 00:22:16,270 ♪ ANOTHER DEAD-END STREET ♪ 527 00:22:16,336 --> 00:22:18,438 ♪ ANOTHER LOVE GONE WRONG ♪ 528 00:22:18,505 --> 00:22:20,607 ♪ ANOTHER SHATTERED DREAM ♪ 529 00:22:20,674 --> 00:22:23,343 ♪ ALWAYS THE SAME OLD SONG ♪ 530 00:22:23,410 --> 00:22:25,979 ♪ I STARTED THINKIN' THAT ♪ 531 00:22:26,046 --> 00:22:28,081 ♪ YOU'D NEVER COME ALONG ♪ 532 00:22:28,148 --> 00:22:30,551 ♪ I GOT ALL THIS LOVE INSIDE ♪ 533 00:22:30,617 --> 00:22:33,287 ♪ THAT WILL SHOW NO WORDS TONIGHT ♪ 534 00:22:33,353 --> 00:22:35,722 ♪ I WISH YOU KNEW WHAT I'VE BEEN THROUGH ♪ 535 00:22:35,789 --> 00:22:37,491 ♪ TO GET TO YOU ♪ 536 00:22:37,558 --> 00:22:40,127 ♪ I'M LAYIN' IT ON THE LINE ♪ 537 00:22:40,194 --> 00:22:41,962 ♪ THIS TIME ♪ 538 00:22:42,029 --> 00:22:45,065 ♪ JUST TO BE WITH YOU ♪ 539 00:22:45,132 --> 00:22:48,268 ♪ NO MORE, YEAH, YEAH ♪ 540 00:22:48,335 --> 00:22:50,437 ♪ ON THE LINE TO SHOW YOU ♪ 541 00:22:50,504 --> 00:22:53,140 ♪ NEVER GONNA LET YOU, NEVER GONNA LET YOU GO ♪ 542 00:22:53,207 --> 00:22:56,043 ♪ ON THE LINE FOR YOUR LOVE ♪ 543 00:22:56,109 --> 00:22:58,045 ♪ THERE'S NOTHING I WANT MORE ♪ 544 00:22:58,111 --> 00:22:59,479 ♪ WHEN YOU SMILE ♪ 545 00:22:59,546 --> 00:23:01,815 ♪ I FEEL MY HEART OPEN, YEAH ♪ 546 00:23:01,882 --> 00:23:06,286 ♪ I KNOW THERE'S NOTHING THAT I WOULD NOT DO ♪ 547 00:23:06,353 --> 00:23:10,857 ♪ I'M LAYIN' IT ON THE LINE THIS TIME ♪ 548 00:23:10,924 --> 00:23:13,627 ♪ JUST TO BE WITH YOU ♪ 549 00:23:13,694 --> 00:23:15,195 Woman: OK, I'LL CHECK. 550 00:23:15,262 --> 00:23:18,365 Woman: CHICAGO DAILY POST. CAN I HELP YOU? 551 00:23:18,432 --> 00:23:20,834 SURE. OK. 552 00:23:20,901 --> 00:23:24,471 Woman: CHICAGO DAILY POST. CAN I HELP YOU? 553 00:23:24,538 --> 00:23:26,039 BRADY FRANCES'S DESK. 554 00:23:26,106 --> 00:23:28,609 [VIDEO GAME MUSIC PLAYING] 555 00:23:31,245 --> 00:23:33,113 BRADY, MY OFFICE. 556 00:23:36,149 --> 00:23:37,384 THIS IS YOUR NEXT STORY. 557 00:23:37,451 --> 00:23:39,519 IT'S A COMPELLING HUMAN INTEREST PIECE. 558 00:23:39,586 --> 00:23:41,188 BUT, SIR, I WANT TO DO HARD NEWS. 559 00:23:41,255 --> 00:23:42,122 UH-HUH. 560 00:23:42,189 --> 00:23:43,790 AND I WANT A CLEAR NASAL PASSAGE. 561 00:23:43,857 --> 00:23:45,692 WE CAN'T ALWAYS GET WHAT WE WANT. 562 00:23:45,759 --> 00:23:46,960 [SNORTS] 563 00:23:47,027 --> 00:23:48,829 UHH. YOU KNOW... 564 00:23:48,896 --> 00:23:49,997 I PUT YOU IN PERSONALS 565 00:23:50,063 --> 00:23:51,465 BECAUSE MOST PEOPLE ARE MISERABLE, 566 00:23:51,531 --> 00:23:52,966 AND I THINK YOU CAN RELATE, BRADY. 567 00:23:53,033 --> 00:23:55,569 THE KID'S NAME IS KEVIN GIBBONS. 568 00:23:55,636 --> 00:23:56,637 KEVIN GIBBONS? 569 00:23:56,703 --> 00:23:57,738 AH, WE CHECKED IT OUT. 570 00:23:57,804 --> 00:24:01,008 HUH. I CAN'T. I KNOW HIM. 571 00:24:02,376 --> 00:24:04,111 SO? 572 00:24:04,177 --> 00:24:06,713 LOOK, YOU DON'T UNDERSTAND. 573 00:24:06,780 --> 00:24:09,249 I HAVE A HISTORY WITH THIS GUY. 574 00:24:09,316 --> 00:24:12,052 [SCHOOL BELL RINGS] 575 00:24:15,989 --> 00:24:18,158 DUDE, I'M TELLING YOU, 576 00:24:18,225 --> 00:24:20,327 YOU ASK OUT A GIRL LIKE KAYLA SANDERS, 577 00:24:20,394 --> 00:24:22,229 AND YOU'RE SETTING YOURSELF UP FOR REJECTION, 578 00:24:22,296 --> 00:24:24,197 HUMILIATION, ALIENATION. 579 00:24:24,264 --> 00:24:26,967 Brady: DON'T WORRY. I'VE GOT DETERMINATION. 580 00:24:27,034 --> 00:24:28,502 HEY, KAYLA. 581 00:24:28,568 --> 00:24:31,104 BRADY FRANCES. WE'RE IN FRENCH CLASS TOGETHER. 582 00:24:31,171 --> 00:24:33,040 I'M THE ONE THAT ALWAYS GETS NOSEBLEEDS. 583 00:24:33,106 --> 00:24:35,208 WOULD YOU LIKE TO GO TO THE PROM WITH ME? 584 00:24:35,275 --> 00:24:36,943 HOLD ON A SECOND. 585 00:24:37,010 --> 00:24:39,012 HEY, KEVIN. HI. 586 00:24:39,079 --> 00:24:41,715 WOULD YOU LIKE TO GO TO THE PROM WITH ME? 587 00:24:41,782 --> 00:24:43,917 SURE. I'D LOVE TO. 588 00:24:43,984 --> 00:24:45,419 SORRY. 589 00:24:45,485 --> 00:24:47,921 I'M ALREADY GOING TO THE PROM WITH KEVIN GIBBONS. 590 00:24:47,988 --> 00:24:49,523 [SOFTLY] NO. 591 00:24:51,024 --> 00:24:53,226 KEVIN GIBBONS. 592 00:24:53,293 --> 00:24:56,196 [SCHOOL BELL RINGS] 593 00:24:58,565 --> 00:25:00,000 [SIGHS] 594 00:25:01,301 --> 00:25:03,070 LET ME GET THIS STRAIGHT. 595 00:25:03,136 --> 00:25:04,738 YOU HARBOR ANIMOSITY TOWARDS THIS KEVIN 596 00:25:04,805 --> 00:25:06,940 BECAUSE SOME GIRL WANTED TO GO TO THE PROM WITH HIM 597 00:25:07,007 --> 00:25:08,709 INSTEAD OF YOU? WELL-- 598 00:25:08,775 --> 00:25:11,845 SPELLBINDING PITY, BUT THE STORY'S STILL YOURS. 599 00:25:11,912 --> 00:25:13,180 [SIGHS] YES, SIR. 600 00:25:13,246 --> 00:25:15,282 HEY, HEY, HEY, AND BRADY... 601 00:25:17,284 --> 00:25:19,986 NOW GET OUT OF HERE AND DON'T MESS THIS ONE UP. 602 00:25:20,053 --> 00:25:22,456 JENNA, YEAH. I CHANGED MY 12:00 LUNCH. 603 00:25:22,522 --> 00:25:25,359 [SIGHS] IT'S PAYBACK TIME. 604 00:25:27,227 --> 00:25:28,395 [TELEPHONE RINGS] 605 00:25:28,462 --> 00:25:30,297 HEY, DUDE, YOU DON'T LOOK SO GOOD. 606 00:25:30,364 --> 00:25:31,932 REALLY? YEAH. 607 00:25:31,999 --> 00:25:35,335 [RING] REALLY. YOU USUALLY LOOK BETTER. 608 00:25:35,402 --> 00:25:37,471 WHAT, CAN YOU NOT HEAR THE PHONE? 609 00:25:37,537 --> 00:25:39,773 Roommate: JAUNDICE? Eric: YEAH, KIND OF YELLOW. 610 00:25:39,840 --> 00:25:41,108 WHERE'S THE PHONE? 611 00:25:41,174 --> 00:25:43,877 IS MY ADAM'S APPLE ALL PATHETIC? 612 00:25:43,944 --> 00:25:45,012 HELLO? 613 00:25:45,078 --> 00:25:46,313 Woman: HELLO, KEVIN, IT'S ME. 614 00:25:46,380 --> 00:25:48,048 THE GIRL FROM THE "L" TRAIN. 615 00:25:48,115 --> 00:25:51,184 IT'S YOU. WOW. I DIDN'T THINK YOU'D CALL. 616 00:25:51,251 --> 00:25:52,953 OF COURSE I CALLED. HOW ARE YOU? 617 00:25:53,019 --> 00:25:54,287 HEY, IS THAT THE CHICK FROM THE TRAIN. 618 00:25:54,354 --> 00:25:55,622 Woman: THAT POSTER... 619 00:25:55,689 --> 00:25:57,491 Both: HEY, IS IT THAT THE CHICK FROM THE TRAIN? 620 00:25:57,557 --> 00:25:59,393 DUDE, IS THAT THE CHICK FROM THE-- 621 00:25:59,459 --> 00:26:01,762 [WHISPERING] Shut up. 622 00:26:01,828 --> 00:26:03,096 OH, YEAH, IT'S GOT TO BE. 623 00:26:03,163 --> 00:26:05,399 SO, UH, CAN WE MEET UP? 624 00:26:05,465 --> 00:26:07,834 CHUGGA, CHUGGA, CHOO, CHOO. 625 00:26:07,901 --> 00:26:09,136 HOW ABOUT GOODY'S DINER? 626 00:26:09,202 --> 00:26:10,370 Both: CHOO, CHOO! 627 00:26:10,437 --> 00:26:13,540 1 O' CLOCK? ALL RIGHT. 628 00:26:13,607 --> 00:26:16,009 Both: CHUGGA, CHUGGA, CHOO, CHOO! 629 00:26:16,076 --> 00:26:17,878 YEAH? YEAH. 630 00:26:17,944 --> 00:26:19,513 Both: YEAH! 631 00:26:19,579 --> 00:26:23,049 ♪ THIS IS MY ONE CHANCE TO BE A ROCK STAR ♪ 632 00:26:23,116 --> 00:26:24,651 ♪ COME ON AND CALL ME ♪ 633 00:26:24,718 --> 00:26:28,221 ♪ THIS IS MY IMAGE, THESE ARE MY DANCES ♪ 634 00:26:28,288 --> 00:26:29,723 [EXHALES] 635 00:26:31,258 --> 00:26:32,692 Abbey: HI. 636 00:26:36,062 --> 00:26:37,731 [CLASSICAL MUSIC PLAYING] 637 00:26:37,798 --> 00:26:40,634 WHAT? NO, NO, NO. 638 00:26:40,700 --> 00:26:43,637 THE SUCKER'S GOING TO SPLIT IN A MATTER OF DAYS. 639 00:26:43,703 --> 00:26:47,007 YEAH. NO. NOW IS NOT THE TIME TO SELL. 640 00:26:47,074 --> 00:26:48,608 OK. 641 00:26:48,675 --> 00:26:50,544 [SIGHS] 642 00:26:50,610 --> 00:26:52,612 WORK. 643 00:26:52,679 --> 00:26:55,048 YOU KNOW, YOU DIDN'T HAVE TO COME UP THIS WEEKEND. 644 00:26:55,115 --> 00:26:58,118 THAT'S OK. HEY, COME ON. 645 00:26:58,185 --> 00:27:01,888 IT'S MY TURN. BESIDES, I GOT SOME WORK DONE ON THE TRAIN. 646 00:27:01,955 --> 00:27:04,124 [SITAR MUSIC PLAYING] 647 00:27:09,129 --> 00:27:11,031 I DON'T MEAN TO BE RUDE, BUT... 648 00:27:11,097 --> 00:27:12,466 WHY ARE YOU HERE? 649 00:27:13,934 --> 00:27:15,268 WHEN I SAW YOUR POSTER, 650 00:27:15,335 --> 00:27:17,504 I JUST KNEW I HAD TO MEET YOU. 651 00:27:17,571 --> 00:27:20,841 I COULD TELL THAT WE WOULD HAVE... 652 00:27:20,907 --> 00:27:23,276 A COSMIC CONNECTION. 653 00:27:23,343 --> 00:27:25,245 YOU SENSED THAT FROM A POSTER? 654 00:27:26,213 --> 00:27:28,415 YES. HOW'S SCHOOL? 655 00:27:28,482 --> 00:27:30,784 OH, HECTIC, WITH FINALS NEXT WEEK. 656 00:27:30,851 --> 00:27:33,086 WELL, SOON, YOU'LL BE BACK HOME IN CHICAGO, 657 00:27:33,153 --> 00:27:35,021 WE'LL BE TOGETHER, AND YOU CAN RELAX. 658 00:27:35,088 --> 00:27:37,591 ACTUALLY, I WAS THINKING... 659 00:27:37,657 --> 00:27:39,693 I WANT TO VOLUNTEER FOR THE FIELD MUSEUM 660 00:27:39,759 --> 00:27:41,194 WHEN I GET BACK. 661 00:27:41,261 --> 00:27:43,163 ABBEY... 662 00:27:43,230 --> 00:27:46,066 I APPRECIATE, YOU KNOW, YOUR FOSSIL HOBBY, BUT-- 663 00:27:46,133 --> 00:27:48,435 PAUL... 664 00:27:48,502 --> 00:27:50,337 IT'S NOT JUST A HOBBY. 665 00:27:50,403 --> 00:27:52,806 YOU'RE A WATER SIGN. NO. 666 00:27:52,873 --> 00:27:54,908 [JEWELRY JINGLES] 667 00:27:56,176 --> 00:27:57,844 OH. 668 00:27:57,911 --> 00:28:00,313 UH-HUH. 669 00:28:00,380 --> 00:28:02,148 VIRGO. UH-UH. 670 00:28:02,215 --> 00:28:04,384 OH. YOU SEE, KEVIN, 671 00:28:04,451 --> 00:28:07,854 ASTROLOGY IS ACTUALLY CHOCK-FULL OF--SHOOT! 672 00:28:07,921 --> 00:28:09,122 WHAT? PORK. 673 00:28:09,189 --> 00:28:10,457 GET THIS AWAY FROM ME. GET THIS AWAY FROM ME. 674 00:28:10,524 --> 00:28:12,092 IT'S OK. IT'S OK. 675 00:28:12,159 --> 00:28:13,393 LISTEN, PORK HAPPENS. 676 00:28:13,460 --> 00:28:15,896 DON'T PATRONIZE ME. EXCUSE ME? 677 00:28:15,962 --> 00:28:17,764 WHAT DO YOU TAKE ME FOR, SOME KIND OF FREAK? 678 00:28:17,831 --> 00:28:20,500 YOU DID CALL ME OUT OF THE BLUE FROM A POSTER. 679 00:28:20,567 --> 00:28:22,469 WELL, THAT'S BECAUSE I THOUGHT WE HAD A CONNECTION-- 680 00:28:22,536 --> 00:28:25,005 A COSMIC CONNECTION, KEVIN. 681 00:28:25,071 --> 00:28:28,041 AND I THOUGHT MAYBE YOU'D BE DIFFERENT, BUT YOU'RE NOT. 682 00:28:28,108 --> 00:28:30,143 YOU'RE ALL THE SAME-- ALL OF YOU. 683 00:28:30,210 --> 00:28:32,045 AND I DON'T HAVE TO TAKE THIS. 684 00:28:32,112 --> 00:28:33,980 I'M FROM OREGON. 685 00:28:34,047 --> 00:28:35,182 WHAT ARE YOU LOOKING AT? 686 00:28:35,248 --> 00:28:36,850 OW! WHAT DID I DO? 687 00:28:39,085 --> 00:28:40,453 [DOOR CLOSES] 688 00:28:40,520 --> 00:28:42,489 Paul: I'M GOING TO HAVE TO CALL YOU LATER, OK? 689 00:28:43,156 --> 00:28:44,558 YEAH. 690 00:28:46,226 --> 00:28:48,061 [SIGHS] SO, WHERE WERE WE? 691 00:28:48,128 --> 00:28:50,597 WE WERE TALKING ABOUT US. WE WERE? 692 00:28:50,664 --> 00:28:53,567 NO, BUT I THINK WE SHOULD. WELL, ABBEY-- 693 00:28:53,633 --> 00:28:56,336 PAUL, THE ONLY TIME YOU GOT EXCITED TODAY 694 00:28:56,403 --> 00:28:58,271 IS WHEN YOUR PHONE RANG. 695 00:28:58,338 --> 00:29:00,840 I'M BEGINNING TO FEEL LIKE THREE'S A CROWD. 696 00:29:00,907 --> 00:29:03,543 WELL, I THINK I'VE GOT A WAY OF MAKING IT UP TO YOU. 697 00:29:05,612 --> 00:29:08,715 WHAT'S THAT I SEE? YES, WE HAVE A SMILE. 698 00:29:08,782 --> 00:29:11,218 HA! 699 00:29:11,284 --> 00:29:13,820 AL GREEN AT THE OPERA HOUSE? 700 00:29:13,887 --> 00:29:16,890 JUST YOU AND ME. WE'RE GOING TO HAVE A GREAT TIME. 701 00:29:16,957 --> 00:29:19,926 [CELL PHONE RINGS, CASH REGISTER RINGS] 702 00:29:19,993 --> 00:29:21,361 YEAH? 703 00:29:24,164 --> 00:29:26,132 Eric: OH, MAN. YOU WASH YOUR GRIMY BUTT 704 00:29:26,199 --> 00:29:28,368 IN MY TUB AGAIN, YOU'RE GOING TO HAVE TO PAY RENT, ALL RIGHT? 705 00:29:28,435 --> 00:29:30,704 WELL, EXCUSE ME. 706 00:29:30,770 --> 00:29:32,606 I MEAN, I GOT TO FRICKIN' TAKE A SHOWER. 707 00:29:32,672 --> 00:29:35,108 MINE'S BUSTED AT MY APARTMENT, AND I GOT A GIG TONIGHT, 708 00:29:35,175 --> 00:29:36,443 SO I DON'T WANT TO SMELL LIKE B.O. 709 00:29:36,509 --> 00:29:37,844 YEAH, MAYBE THAT'S WHY THAT RECORD CONTRACT 710 00:29:37,911 --> 00:29:38,912 HAS REMAINED SO ELUSIVE. 711 00:29:38,979 --> 00:29:40,413 OH, YEAH? 712 00:29:40,480 --> 00:29:41,948 OH, NICE SHOT. 713 00:29:42,015 --> 00:29:43,717 YOU'RE A PHILISTINE. 714 00:29:43,783 --> 00:29:45,418 YOU'RE A FLATULENT PHILISTINE. 715 00:29:45,485 --> 00:29:47,854 Eric: GET OUT OF HERE, MAN. 716 00:29:47,921 --> 00:29:50,390 MICK! MICK! MICK! MICK! MICK! MICK! MICK! MICK! 717 00:29:50,457 --> 00:29:51,891 WELCOME BACK TO TRL, YOU GUYS. 718 00:29:51,958 --> 00:29:54,561 TIMES SQUARE, NEW YORK CITY IS OFF THE HOOK, 719 00:29:54,628 --> 00:29:58,131 BECAUSE THIS MAN HAS ENTERED THE STUDIO. 720 00:29:58,198 --> 00:30:00,467 HEY, ROD. Rod: YEAH. 721 00:30:00,533 --> 00:30:02,836 YOUR HERO'S ON TV. NO WAY! 722 00:30:02,902 --> 00:30:04,404 Host: I HAVE GREAT NEWS FOR YOU. 723 00:30:04,471 --> 00:30:06,740 YOU HAVE MADE TRL HISTORY. 724 00:30:06,806 --> 00:30:09,209 THE VIDEO FOR EVERY CLOUD HAS A SILVER LINING-- 725 00:30:09,276 --> 00:30:11,311 26 STRAIGHT WEEKS AT NUMBER ONE. 726 00:30:11,378 --> 00:30:13,380 YOU BROKE YOUR OWN RECORD, DUDE. 727 00:30:13,446 --> 00:30:15,582 YOU BROKE YOUR OWN RECORD! 728 00:30:15,649 --> 00:30:17,784 THAT HAS TO FEEL AMAZING. HOW DOES IT FEEL? 729 00:30:17,851 --> 00:30:19,419 YOU KNOW, THE MICK WON THE RECORD, 730 00:30:19,486 --> 00:30:21,755 BUT THE MICK LOST THE RECORD AT THE SAME TIME. 731 00:30:21,821 --> 00:30:23,790 IT'S UNFORTUNATE, THERE HAS TO BE A WINNER AND LOSER. 732 00:30:23,857 --> 00:30:25,625 IN THIS CASE, THE MICK IS BOTH, 733 00:30:25,692 --> 00:30:27,494 SO THE MICK FEELS CONFLICTED. 734 00:30:27,560 --> 00:30:28,662 Host: EITHER WAY IT GOES, YOU WIN. 735 00:30:28,728 --> 00:30:31,064 DUDE, I CAN'T BELIEVE THIS GUY. 736 00:30:31,131 --> 00:30:33,199 WHAT IS WRONG WITH THE MUSIC INDUSTRY TODAY, HUH? 737 00:30:33,266 --> 00:30:35,902 I GRADUATED FROM THE SCHOOL OF HARD KNOCKS, YOU KNOW, 738 00:30:35,969 --> 00:30:37,504 BUT THAT'S WHAT KEEPS THE MICK SO GROUNDED. 739 00:30:37,570 --> 00:30:38,605 HE IS NOT ABOUT THE LOVE. 740 00:30:38,672 --> 00:30:40,674 HE'S NOT ABOUT THE PASSION. 741 00:30:40,740 --> 00:30:42,475 DUDE, I'M ABOUT THE LOVE. 742 00:30:42,542 --> 00:30:43,510 AND THE PASSION. 743 00:30:43,576 --> 00:30:46,046 AND THE ODOR. MAN! 744 00:30:46,112 --> 00:30:47,647 BUT THE MICK'S GOING TO SHOW HIS MAD LOVE 745 00:30:47,714 --> 00:30:49,349 FOR CHI-TOWN LATER THIS WEEK. 746 00:30:49,416 --> 00:30:51,384 Host: OH, HE'S GOING HOME. 747 00:30:51,451 --> 00:30:53,053 HE'S GOING HOME! 748 00:30:53,119 --> 00:30:57,390 THAT'S RIGHT. GIVE IT UP FOR MICK ON TRL! 749 00:30:57,457 --> 00:30:59,292 HEY, AT LEAST HE HAS A DEGREE. 750 00:30:59,359 --> 00:31:00,794 UHH! THIS GUY'S A TOOL. 751 00:31:02,262 --> 00:31:04,564 I AM--I AM--I AM... 752 00:31:04,631 --> 00:31:06,266 [TELEPHONE RINGS] 753 00:31:06,333 --> 00:31:07,801 I GOT IT. 754 00:31:07,867 --> 00:31:09,035 [RING] 755 00:31:09,102 --> 00:31:10,937 YO, IT'S THE "E" TO THE "R" TO THE "I" TO THE "C" 756 00:31:11,004 --> 00:31:13,506 IN THE PLACE TO BE. THAT'S ME. WHAT--WHAT? 757 00:31:15,308 --> 00:31:17,143 BRADY FREAKIN' FRANCES? 758 00:31:17,210 --> 00:31:19,479 BRADY FRANCES? FROM THE PAPER? 759 00:31:19,546 --> 00:31:22,982 YO, WHAT UP, KID? OH, MAN, I'M CHILLIN'-- 760 00:31:23,049 --> 00:31:25,151 JUST COOLIN' AS THE OTHER SIDE OF THE PILLOW, 761 00:31:25,218 --> 00:31:26,920 YOU KNOW WHAT I'M SAYING? Brady: UH, I DON'T GET IT. 762 00:31:26,986 --> 00:31:29,489 NO, LIKE WHEN YOU WAKE UP LATE AT NIGHT, AND YOU-- 763 00:31:29,556 --> 00:31:30,957 FORGET IT, DUDE. 764 00:31:31,024 --> 00:31:32,392 WHAT YOU WANT? 765 00:31:32,459 --> 00:31:34,461 FOR REAL? 766 00:31:34,527 --> 00:31:36,029 YEAH, YEAH, MAN. HANG ON A SECOND. 767 00:31:36,096 --> 00:31:38,365 YO, HE WANTS TO INTERVIEW YOU FOR THE PAPER. 768 00:31:38,431 --> 00:31:39,866 HE GOT ONE OF THOSE POSTERS, 769 00:31:39,933 --> 00:31:41,334 AND HE WANTS TO TALK ABOUT THE GIRL FROM THE TRAIN. 770 00:31:41,401 --> 00:31:43,470 [LAUGHS] NO WAY. 771 00:31:43,536 --> 00:31:45,472 WAY. JUST CHILL FOR A SECOND. 772 00:31:45,538 --> 00:31:46,673 THINK ABOUT THIS. 773 00:31:46,740 --> 00:31:47,974 IF YOU GET YOUR NAME IN PRINT, 774 00:31:48,041 --> 00:31:49,476 AND PEOPLE START SEEING YOU AS SOME GUY 775 00:31:49,542 --> 00:31:50,944 WHO'S GOING TO TAKE A RISK, 776 00:31:51,010 --> 00:31:52,479 YOU'RE NOT GOING TO BE KNOWN AS THE GUY 777 00:31:52,545 --> 00:31:53,780 WHO CAN'T SEAL THE DEAL ANYMORE, RIGHT? 778 00:31:53,847 --> 00:31:55,315 I'M NOT DOING AN INTERVIEW. 779 00:31:55,382 --> 00:31:56,416 KEV, COME ON. I THINK IT WOULD BE 780 00:31:56,483 --> 00:31:58,118 A GREAT PR MOVE FOR YOU. 781 00:31:59,519 --> 00:32:01,187 IT'LL HELP YOU FIND HER. 782 00:32:09,062 --> 00:32:10,396 OK. 783 00:32:10,463 --> 00:32:11,698 COOL. 784 00:32:11,765 --> 00:32:13,700 ♪ AH, SHADOOBIE ♪ 785 00:32:13,767 --> 00:32:16,035 ♪ AH, AH, SHADOOBIE ♪ 786 00:32:16,102 --> 00:32:17,404 ♪ DOO WAH ♪ 787 00:32:17,470 --> 00:32:18,805 ♪ SHADOOBIE ♪ 788 00:32:18,872 --> 00:32:21,074 ♪ AH, AH, SHADOOBIE, DOOBIE ♪ 789 00:32:21,141 --> 00:32:23,643 ♪ HOLD ME UP, THAT'S WHERE I FELL ♪ 790 00:32:23,710 --> 00:32:26,913 ♪ FOUND MYSELF DREAMIN' OF YOUR FACE ♪ 791 00:32:26,980 --> 00:32:30,583 ♪ YOUR FACE, YOUR FACE, YOUR FACE ♪ 792 00:32:30,650 --> 00:32:33,052 ♪ TOOK A LOT OF PLANS TO TAKE ♪ 793 00:32:33,119 --> 00:32:36,356 ♪ SOMEHOW ENDED UP AT YOUR PLACE ♪ 794 00:32:36,423 --> 00:32:38,024 ♪ YOUR PLACE, YOUR PLACE ♪ 795 00:32:38,091 --> 00:32:40,960 [WOMEN GIGGLE] 796 00:32:41,027 --> 00:32:43,997 ♪ AND HAVE I BEEN, TELL ME ♪ 797 00:32:44,063 --> 00:32:45,799 ♪ TELL ME ♪ 798 00:32:45,865 --> 00:32:49,869 ♪ WHAT CAN I DO TO HELP ME, HELP ME ♪ 799 00:32:49,936 --> 00:32:52,238 ♪ DO YOU SEE WHAT I SEE ♪ 800 00:32:52,305 --> 00:32:54,107 ♪ AH, AH, SHADOOBIE ♪ 801 00:32:54,174 --> 00:32:55,441 ♪ DOO WAH ♪ 802 00:32:55,508 --> 00:32:56,776 ♪ SHADOOBIE ♪ 803 00:32:56,843 --> 00:32:59,512 ♪ AH, AH, SHADOOBIE, DOOBIE ♪ 804 00:32:59,579 --> 00:33:02,282 ♪ DO YOU SEE WHAT I SEE? ♪ 805 00:33:02,348 --> 00:33:03,683 ♪ AH, AH, SHADOOBIE ♪ 806 00:33:03,750 --> 00:33:05,385 ♪ DOO WAH ♪ 807 00:33:05,451 --> 00:33:06,719 ♪ SHADOOBIE ♪ 808 00:33:06,786 --> 00:33:07,854 ♪ AH, AH, SHADOOBIE ♪ 809 00:33:07,921 --> 00:33:10,957 [KISSES] WAY TO GO, ROMEO. 810 00:33:11,724 --> 00:33:13,626 [NATHAN LAUGHS] 811 00:33:15,295 --> 00:33:17,697 [LAUGHS] HI, KEVIN. 812 00:33:17,764 --> 00:33:19,532 [NATHAN LAUGHING] 813 00:33:24,504 --> 00:33:26,272 Higgins: HA HA HA HA! 814 00:33:32,679 --> 00:33:35,248 [LAUGHING] 815 00:33:40,920 --> 00:33:42,322 GIBBONS. 816 00:33:42,388 --> 00:33:44,424 OH HO HO! 817 00:33:44,490 --> 00:33:46,459 OH, GIBBONS... 818 00:33:46,526 --> 00:33:49,329 WHY DON'T YOU JUST OFFER A REWARD? 819 00:33:49,395 --> 00:33:51,097 LIKE WITH A LOST PUPPY? 820 00:33:51,164 --> 00:33:54,334 HA HA HA! OH! 821 00:33:54,400 --> 00:33:56,536 OH, SON, IT'S SO SAD. 822 00:33:56,603 --> 00:33:59,005 YOU'VE GOTTEN IT ALL BASS-ACKWARDS. 823 00:33:59,072 --> 00:34:02,542 LOOK, FIRST YOU GET THE POWER, 824 00:34:02,609 --> 00:34:04,744 THEN YOU GET THE MONEY, 825 00:34:04,811 --> 00:34:08,047 AND THEN YOU BUY THE LOVE. 826 00:34:08,114 --> 00:34:09,282 OH. 827 00:34:09,349 --> 00:34:11,184 GIBBONS, PLEASE. 828 00:34:11,251 --> 00:34:13,920 DON'T BE A DUMMY. 829 00:34:13,987 --> 00:34:15,755 Woman: REEBOK'S ON THE LINE. 830 00:34:15,822 --> 00:34:18,658 COULD YOU ASK THEM TO HOLD, PLEASE? 831 00:34:18,725 --> 00:34:20,393 FOCUS ON THE JOB AT HAND. 832 00:34:20,460 --> 00:34:21,828 MONEY MAKES THE WORLD GO AROUND, 833 00:34:21,895 --> 00:34:23,096 AND ANYONE THAT TELLS YOU 834 00:34:23,162 --> 00:34:25,031 THAT MONEY IS THE ROOT OF ALL EVIL-- 835 00:34:25,098 --> 00:34:26,799 Woman: DOESN'T HAVE ANY. 836 00:34:30,036 --> 00:34:31,137 HELLO? 837 00:34:31,204 --> 00:34:32,572 ARE YOU TALKING TO THE YOUNG MAN 838 00:34:32,639 --> 00:34:34,140 FROM THE TRAIN? 839 00:34:34,207 --> 00:34:35,441 YES. 840 00:34:35,508 --> 00:34:38,177 WE'D LIKE HIM TO HEAD UP THE CREATIVE TEAM. 841 00:34:38,244 --> 00:34:39,512 REALLY? REALLY? 842 00:34:39,579 --> 00:34:43,917 REEBOK CAN USE PEOPLE WITH HIS KIND OF PASSION. 843 00:34:43,983 --> 00:34:47,186 GIBBONS, IGNORE EVERYTHING I'VE EVER TOLD YOU. 844 00:34:47,253 --> 00:34:48,755 Announcer: NOW BATTING, 845 00:34:48,821 --> 00:34:52,125 SECOND BASEMAN ERIC YOUNG. 846 00:34:52,191 --> 00:34:54,027 Eric: STRAIGHT FROM THE OVEN 847 00:34:54,093 --> 00:34:55,361 OF YOUR MAMA'S HOUSE. 848 00:34:55,428 --> 00:34:56,496 I'LL TAKE A BAG. 849 00:34:56,562 --> 00:34:58,031 THERE YOU GO, FELLA. 850 00:34:58,998 --> 00:35:00,900 YO, WHAT'S UP, FELLAS? 851 00:35:00,967 --> 00:35:03,169 WHAT'S UP? MAN, NO-ACTION JACKSON OVER HERE 852 00:35:03,236 --> 00:35:04,904 KEEPS TALKING ABOUT THE GIRL FROM THE TRAIN. 853 00:35:04,971 --> 00:35:06,472 AW, MAN, ARE YOU SERIOUS? 854 00:35:06,539 --> 00:35:07,774 WOULD YOU CUT IT OUT ALREADY, DUDE? 855 00:35:07,840 --> 00:35:09,442 YOU'RE LIKE THE POSTER BOY 856 00:35:09,509 --> 00:35:11,711 FOR THE ROMANTICALLY CHALLENGED. 857 00:35:11,778 --> 00:35:13,179 HEY, YO, THIS GUY NEEDS A DATE. 858 00:35:13,246 --> 00:35:15,014 HEY, ANYBODY READ THE NEWSPAPER TODAY? 859 00:35:15,081 --> 00:35:16,482 THIS IS THE GUY FROM THE TRAIN 860 00:35:16,549 --> 00:35:17,517 WHO PUT UP THAT POSTER 861 00:35:17,584 --> 00:35:18,718 TRYING TO FIND THAT GIRL. 862 00:35:18,785 --> 00:35:19,786 WOULD YOU SHUT UP? 863 00:35:19,852 --> 00:35:21,487 OH, THAT'S SO ROMANTIC. 864 00:35:21,554 --> 00:35:22,555 I HAVE A DAUGHTER. 865 00:35:22,622 --> 00:35:23,756 OH, YEAH? DOES SHE EAT MEAT? 866 00:35:23,823 --> 00:35:25,158 Announcer: NOW BATTING... 867 00:35:25,224 --> 00:35:26,859 I DON'T KNOW WHY I TELL YOU GUYS ANYTHING. 868 00:35:26,926 --> 00:35:28,061 FRED McGRIFF. 869 00:35:28,127 --> 00:35:29,362 LISTEN, I DON'T EVEN UNDERSTAND THIS. 870 00:35:29,429 --> 00:35:30,863 I MEAN, IT'S LIKE MAYBE YOU THOUGHT HER UP 871 00:35:30,930 --> 00:35:32,298 IN YOUR MIND OR SOME STUFF LIKE THAT. 872 00:35:32,365 --> 00:35:34,567 IT'S LIKE YOU THINK SHE'S, LIKE, JULIA ROBERTS, 873 00:35:34,634 --> 00:35:36,836 BUT IN REALITY, SHE'S LIKE DR. RUTH. 874 00:35:36,903 --> 00:35:38,104 AS USUAL, ROD, 875 00:35:38,171 --> 00:35:39,872 I HAVE NO CLUE WHAT YOU MEAN. 876 00:35:39,939 --> 00:35:41,841 HEY, YOU REALLY THINK THIS BABE IS GOING TO CALL YOU? 877 00:35:41,908 --> 00:35:44,410 I DON'T KNOW. I JUST WISH I KNEW WHERE SHE WAS. 878 00:35:44,477 --> 00:35:47,180 Announcer: THE CUBS HAVE HAD 3 OPPORTUNITIES TO SCORE 879 00:35:47,246 --> 00:35:49,115 IN AS MANY AT-BATS TODAY. 880 00:35:49,182 --> 00:35:51,985 AND TELEMACHO JUMPS AHEAD OF HIM 2 QUICK STRIKES. 881 00:35:52,051 --> 00:35:54,721 HA HA! NOW, I CAN'T BELIEVE BRADY HOOKED YOU UP 882 00:35:54,787 --> 00:35:56,155 WITH THAT ARTICLE IN THE PAPER, 883 00:35:56,222 --> 00:35:58,391 CONSIDERING YOU DISSED AND DISMISSED HIS ASS 884 00:35:58,458 --> 00:36:01,194 BACK IN HIGH SCHOOL. DON'T YOU HAVE SOME WORK TO DO? 885 00:36:01,260 --> 00:36:02,662 Announcer: AND HERE'S SAMMY SOSA IN THE FOURTH. 886 00:36:02,729 --> 00:36:04,130 SAMMY HIT INTO A 6-4-3 887 00:36:04,197 --> 00:36:05,898 INNING-ENDING DOUBLE PLAY IN THE FIRST. 888 00:36:05,965 --> 00:36:08,601 THE CUBS HAVE HAD 3 OPPORTUNITIES TO SCORE... 889 00:36:08,668 --> 00:36:10,203 OH! 890 00:36:10,269 --> 00:36:11,270 OH! 891 00:36:11,337 --> 00:36:12,605 HO HO! 892 00:36:12,672 --> 00:36:14,273 OOH, THAT'S GOT TO HURT. 893 00:36:14,340 --> 00:36:15,708 Player: I CAN'T BELIEVE HE'S HIT THAT GUY 894 00:36:15,775 --> 00:36:17,010 3 TIMES THIS SEASON. 895 00:36:17,076 --> 00:36:18,511 DAMN! THAT'S THE THIRD TIME THIS SEASON 896 00:36:18,578 --> 00:36:20,146 I HIT THIS GUY. 897 00:36:20,213 --> 00:36:22,148 Announcer: SAMMY LAUNCHED ONE SUNDAY, YOU'LL RECALL. 898 00:36:22,215 --> 00:36:24,217 TODD HUNDLEY'S WAITING ON DECK. 899 00:36:24,283 --> 00:36:26,853 HE GOT THE BALL! IT HIM IN THE-- 900 00:36:26,919 --> 00:36:28,287 Brady: WHAT? 901 00:36:28,354 --> 00:36:29,889 Woman: YOU WANT NUTS IN YOUR NOODLES? 902 00:36:29,956 --> 00:36:31,391 YEAH, SURE, WHATEVER. 903 00:36:35,128 --> 00:36:36,362 [SIGHS] 904 00:36:37,897 --> 00:36:40,066 HMM. YOU THINK SHE'LL CALL HIM? 905 00:36:40,133 --> 00:36:42,468 HA! YOU THINK I CARE? YOU SHOULD CARE. 906 00:36:42,535 --> 00:36:44,704 YOU'RE WRITING THE FOLLOW-UP ARTICLE ON HIM. 907 00:36:44,771 --> 00:36:46,739 I HOPE SHE DOES CALL. HE SEEMS SWEET. 908 00:36:46,806 --> 00:36:49,042 KEVIN GIBBONS IS A GIMP. 909 00:36:49,108 --> 00:36:51,844 HE'S MAKING A COMPLETE IDIOT OF HIMSELF. 910 00:36:51,911 --> 00:36:53,246 I MEAN, I CAN'T EVEN BELIEVE 911 00:36:53,312 --> 00:36:55,682 PEOPLE ARE TAKING THE ARTICLE SERIOUSLY. 912 00:36:55,748 --> 00:36:57,150 WHAT DO YOU HAVE AGAINST THIS GUY? 913 00:36:57,216 --> 00:36:59,185 NOTHING. I JUST DON'T SEE WHAT THE BIG DEAL IS. 914 00:36:59,252 --> 00:37:01,187 WELL, HE TOOK A CHANCE. HE WENT FOR SOMETHING. 915 00:37:01,254 --> 00:37:04,157 I THINK--I THINK WOMEN LIKE THAT. 916 00:37:04,223 --> 00:37:05,958 IT'S ROMANTIC. 917 00:37:06,025 --> 00:37:11,731 N'SYNC: ♪ THAT GIRL WILL NEVER BE MINE ♪ 918 00:37:11,798 --> 00:37:14,033 ♪ OH ♪ 919 00:37:14,100 --> 00:37:15,435 ♪ THAT GIRL ♪ 920 00:37:15,501 --> 00:37:19,272 Voice mail: YOU HAVE 47 MESSAGES. 921 00:37:19,338 --> 00:37:23,009 ♪ OH, FIRST TIME I SAW HER AT THE FRONT DOOR ♪ 922 00:37:23,076 --> 00:37:25,578 ♪ THAT GIRL, THE FACE ON EVERY BILLBOARD ♪ 923 00:37:25,645 --> 00:37:27,780 ♪ HANDS DOWN, YOU WON'T BELIEVE THE WAY ♪ 924 00:37:27,847 --> 00:37:30,717 ♪ SHE LAID HER EYES ON ME ♪ 925 00:37:30,783 --> 00:37:33,519 ♪ 6 FEET, I SPOT HER FROM THE CATWALK ♪ 926 00:37:33,586 --> 00:37:36,389 ♪ SO FLY, WE GOT INTO A SMALL TALK ♪ 927 00:37:36,456 --> 00:37:38,391 ♪ TOO BAD SHE HAD TO MOVE ALONG ♪ 928 00:37:38,458 --> 00:37:41,727 ♪ ONE SMILE, AND SHE WAS GONE ♪ 929 00:37:41,794 --> 00:37:43,463 ♪ I CAN'T EXPLAIN ♪ 930 00:37:43,529 --> 00:37:46,833 ♪ I NEVER THOUGHT THAT I WAS GONNA LOSE MY HEAD ♪ 931 00:37:46,899 --> 00:37:48,935 ♪ CALL ME INSANE ♪ 932 00:37:49,001 --> 00:37:51,037 ♪ THERE'S GOT TO BE A WAY ♪ 933 00:37:51,104 --> 00:37:53,639 ♪ HOW CAN I GET NEXT TO HER ♪ 934 00:37:53,706 --> 00:37:56,442 ♪ NOW TELL ME HOW IT'S GONNA BE DONE ♪ 935 00:37:56,509 --> 00:38:00,079 ♪ WILL I WIN OR LOSE THIS ONE ♪ 936 00:38:00,146 --> 00:38:01,581 ♪ DON'T CARE ABOUT THE FACT ♪ 937 00:38:01,647 --> 00:38:04,484 ♪ THAT SHE'S IN A DIFFERENT LEAGUE ♪ 938 00:38:04,550 --> 00:38:07,420 ♪ THEY SAY IT'S NO USE ♪ 939 00:38:07,487 --> 00:38:09,555 ♪ THAT I TRY ♪ 940 00:38:09,622 --> 00:38:13,426 ♪ THAT GIRL WILL NEVER BE MINE ♪ 941 00:38:13,493 --> 00:38:16,229 ♪ LAST NIGHT, I RAN INTO HER BRIEFLY ♪ 942 00:38:16,295 --> 00:38:19,031 ♪ GUESS WHAT, SHE REALLY WANNA SEE ME ♪ 943 00:38:19,098 --> 00:38:21,000 ♪ THEY SAID THAT I WAS OUT OF LINE ♪ 944 00:38:21,067 --> 00:38:24,137 ♪ WHO'S WRONG, WHO'S RIGHT THIS TIME? ♪ 945 00:38:24,203 --> 00:38:25,805 ♪ CAN'T EXPLAIN ♪ 946 00:38:25,872 --> 00:38:29,208 ♪ I NEVER THOUGHT THAT I WAS GONNA LOSE MY HEAD ♪ 947 00:38:29,275 --> 00:38:31,077 ♪ CALL ME INSANE ♪ 948 00:38:31,144 --> 00:38:33,479 ♪ THERE'S GOT TO BE A WAY ♪ 949 00:38:33,546 --> 00:38:36,949 ♪ HOW CAN I GET NEXT TO HER ♪ 950 00:38:37,016 --> 00:38:39,118 ♪ THEY SAY IT'S NO USE ♪ 951 00:38:39,185 --> 00:38:40,987 ♪ THAT I TRY ♪ 952 00:38:41,053 --> 00:38:42,455 ♪ NO, NO, NO ♪ 953 00:38:42,522 --> 00:38:46,058 ♪ THEY SAY IT'S NO USE THAT I TRY ♪ 954 00:38:46,125 --> 00:38:47,393 [TELEPHONE RINGING] 955 00:38:47,460 --> 00:38:51,430 ♪ THAT GIRL WILL NEVER BE ♪ 956 00:38:51,497 --> 00:38:53,199 ♪ MINE ♪ 957 00:38:57,370 --> 00:38:59,205 WHAT THE HECK DID YOU DO THAT FOR? 958 00:38:59,272 --> 00:39:01,741 THAT'S FOR USING MY TOWEL THE OTHER DAY. 959 00:39:01,807 --> 00:39:03,943 YEAH? WELL, I ALSO WORE YOUR UNDERWEAR. 960 00:39:06,145 --> 00:39:07,380 [CLANK] YEAH! 961 00:39:07,446 --> 00:39:08,981 OH, I GOT IT! I GOT IT! 962 00:39:09,048 --> 00:39:10,349 I GOT IT! I GOT IT! 963 00:39:10,416 --> 00:39:12,218 I GOT IT... 964 00:39:13,820 --> 00:39:15,354 OH, MY GOSH, DUDE. WHAT IS THIS? 965 00:39:15,421 --> 00:39:17,423 IT'S A HOT DOG. THANKS, MAN. 966 00:39:17,490 --> 00:39:18,791 NO PROBLEM. 967 00:39:18,858 --> 00:39:21,060 SURE IT'S GOOD? SAFE! 968 00:39:21,127 --> 00:39:22,395 SO, KEV, I BET YOU'RE WONDERING WHY 969 00:39:22,461 --> 00:39:24,363 WE ASKED YOU OUT TO PLAY BARBECUE BALL 970 00:39:24,430 --> 00:39:26,432 THIS FINE, COLD DAY IN CHICAGO. 971 00:39:26,499 --> 00:39:28,234 OH, ALRIGHT 'CAUSE I BROUGHT THE FOOD? 972 00:39:28,301 --> 00:39:29,101 NO! 973 00:39:29,168 --> 00:39:30,203 WELL, YEAH, KIND OF, 974 00:39:30,269 --> 00:39:31,771 BUT ALSO BECAUSE I CAME UP WITH 975 00:39:31,838 --> 00:39:34,207 THIS REALLY BRILLIANT IDEA. 976 00:39:34,273 --> 00:39:37,109 ACTUALLY, IT'S MORE LIKE A PROPOSITION FOR YOU. 977 00:39:37,176 --> 00:39:38,945 WHY AM I AFRAID TO HEAR THIS? I DON'T KNOW. 978 00:39:39,011 --> 00:39:40,580 ME AND THE GUYS WERE JUST THINKING THAT 979 00:39:40,646 --> 00:39:42,949 YOU COULD DO ALL THESE BABES LIKE A BIG HUGE FAVOR 980 00:39:43,015 --> 00:39:45,218 AND LET US TAKE THEM OUT. 981 00:39:45,284 --> 00:39:47,386 AND HOW IS THAT POSSIBLY A GOOD IDEA? 982 00:39:48,855 --> 00:39:50,189 FIRST OFF... 983 00:39:50,256 --> 00:39:52,024 UMM, THERE ARE JUST WAY TOO MANY CALLS 984 00:39:52,091 --> 00:39:53,726 FOR YOU TO HANDLE SOLO, 985 00:39:53,793 --> 00:39:55,761 AND SECONDLY... 986 00:39:55,828 --> 00:39:58,698 ROD? WHAT WAS NUMBER 2? 987 00:39:58,764 --> 00:40:01,367 OH! WE SCREEN THE GIRLS 988 00:40:01,434 --> 00:40:03,603 AND WE HELP YOU FIND "THE GIRL." 989 00:40:03,669 --> 00:40:04,837 YES! 990 00:40:04,904 --> 00:40:06,839 YEAH. AND IF, PERCHANCE, YOU KNOW, 991 00:40:06,906 --> 00:40:08,241 WE WERE TO MAKE SOME KIND OF CONNECTION 992 00:40:08,307 --> 00:40:09,809 WITH ONE OF THESE FINE YOUNG LADIES, 993 00:40:09,875 --> 00:40:11,444 WELL... SO MUCH THE BETTER. 994 00:40:11,510 --> 00:40:13,646 YEAH! WE ALL WIN BIG. WIENIE. 995 00:40:13,713 --> 00:40:14,880 CHA-CHING. 996 00:40:14,947 --> 00:40:16,249 THAT'S NOT A BAD IDEA. 997 00:40:16,315 --> 00:40:17,917 I CAN'T BELIEVE I DIDN'T THINK OF THAT. 998 00:40:17,984 --> 00:40:20,419 ROD, YEAH! I TOLD YOU HE'D GO FOR IT. 999 00:40:20,486 --> 00:40:22,154 I WAS ACTUALLY SURPRISED YOU DIDN'T THINK OF IT, TOO. 1000 00:40:22,221 --> 00:40:23,222 I GAVE YOU A COUPLE DAYS. 1001 00:40:23,289 --> 00:40:24,824 ABSOLUTELY NOT, GUYS. 1002 00:40:24,891 --> 00:40:26,559 GAME'S OVER. SEE YOU LATER. 1003 00:40:30,129 --> 00:40:32,999 UM...I SAY HE'S COMING AROUND. 1004 00:40:33,065 --> 00:40:34,734 THAT WENT PRETTY WELL. 1005 00:40:34,800 --> 00:40:36,335 FKR. 1006 00:40:40,873 --> 00:40:41,841 GIBBONS! 1007 00:40:41,907 --> 00:40:43,109 UH, MR. HIGGINS. 1008 00:40:43,175 --> 00:40:45,211 AHH. LISTEN, I'M NOT QUITE-- 1009 00:40:45,278 --> 00:40:47,213 YOU DON'T GO GINKGO, DO YOU? 1010 00:40:47,280 --> 00:40:51,250 GINKO? BILOBA, GIBBONS. 1011 00:40:51,317 --> 00:40:53,419 YOU LACK AN ABUNDANCE OF ENERGY. 1012 00:40:53,486 --> 00:40:56,422 THERE'S A CERTAIN OVERALL MALAISE ABOUT YOU, GIBBONS. 1013 00:40:56,489 --> 00:40:59,091 I JUST THINK THAT A SMOOTHIE WITH A SHOT OF GINKGO IN IT 1014 00:40:59,158 --> 00:41:00,226 WOULD REMEDY THAT. 1015 00:41:00,293 --> 00:41:02,395 WELL...I PREFER COFFEE. 1016 00:41:02,461 --> 00:41:04,664 WELL, IT'S YOUR COLON, GIBBONS. 1017 00:41:04,730 --> 00:41:06,198 I HATE TO BRING THIS UP, 1018 00:41:06,265 --> 00:41:09,602 BUT JACKIE TELLS ME YOU'RE NOT PULLING YOUR WEIGHT. 1019 00:41:09,669 --> 00:41:11,570 LOOK, THIS PROPOSAL IS DUE IN 3 DAYS 1020 00:41:11,637 --> 00:41:13,839 AND I CAN'T HAVE YOU HALF-HEARTING IT. 1021 00:41:13,906 --> 00:41:15,341 WE'LL HAVE IT DONE, SIR. GOOD! 1022 00:41:15,408 --> 00:41:18,978 [TELEPHONE RINGS] EXCUSE ME. 1023 00:41:19,045 --> 00:41:20,980 KEVIN GIBBONS. HOW CAN I HELP YOU? 1024 00:41:21,047 --> 00:41:22,381 WHAT UP, KID? 1025 00:41:22,448 --> 00:41:24,483 YO, LOOK, BROTHER, I AM BEGGING YOU 1026 00:41:24,550 --> 00:41:25,551 TO RECONSIDER. 1027 00:41:25,618 --> 00:41:27,386 NO. I'M GONNA HAVE TO CALL YOU BACK, OK? 1028 00:41:27,453 --> 00:41:29,789 COME ON, KEV. HELP US HELP YOU! 1029 00:41:29,855 --> 00:41:32,058 MAN, WOULD YOU STOP BEING SO SELFISH FOR A SEC 1030 00:41:32,124 --> 00:41:34,093 AND THINK ABOUT THE TEAM HERE? 1031 00:41:34,160 --> 00:41:37,897 GIBBONS, THIS CAMPAIGN IS VERY IMPORTANT TO US. 1032 00:41:37,963 --> 00:41:40,433 YOUR JOB DEPENDS ON IT. 1033 00:41:40,499 --> 00:41:42,935 DO WE UNDERSTAND EACH OTHER? ALL YOU GOTTA DO IS SAY YES! 1034 00:41:43,002 --> 00:41:45,104 YES. YES. 1035 00:41:45,171 --> 00:41:47,540 DUDE, ARE--ARE YOU SURE THAT'S COOL? 1036 00:41:47,606 --> 00:41:49,408 ARE YOU SURE? 1037 00:41:49,475 --> 00:41:50,543 POSITIVE. 1038 00:41:50,609 --> 00:41:51,644 YES! 1039 00:41:51,711 --> 00:41:53,612 GOOD. 1040 00:41:53,679 --> 00:41:55,081 [SIGHS] 1041 00:41:57,149 --> 00:41:58,851 OOH HOO HOO! 1042 00:41:58,918 --> 00:41:59,952 [DIAL TONE] 1043 00:42:00,019 --> 00:42:02,555 HELLO? HELLO? 1044 00:42:02,621 --> 00:42:04,857 YEAH! WE'RE GONNA GET SOME DATES! 1045 00:42:04,924 --> 00:42:06,525 WE'RE GONNA GET... 1046 00:42:06,592 --> 00:42:08,894 Announcer: LET'S HAVE A ROUND OF APPLAUSE FOR MR. AL GREEN! 1047 00:42:08,961 --> 00:42:11,464 [APPLAUSE AND CHEERING] 1048 00:42:15,134 --> 00:42:18,170 [MUSIC PLAYING] 1049 00:42:25,010 --> 00:42:27,079 ♪ STARTED TO WRITE THIS SONG ♪ 1050 00:42:27,146 --> 00:42:29,415 ♪ ABOUT YOU ♪ 1051 00:42:29,482 --> 00:42:32,118 ♪ AND THEN I DECIDED ♪ 1052 00:42:32,184 --> 00:42:34,286 ♪ THAT I WOULD WRITE IT ♪ 1053 00:42:34,353 --> 00:42:37,423 ♪ ALL ABOUT LOVE ♪ 1054 00:42:37,490 --> 00:42:40,626 ♪ THEN IT APPEARED TO ME ♪ 1055 00:42:40,693 --> 00:42:43,329 ♪ THAT YOU WASN'T HAPPY ♪ 1056 00:42:43,396 --> 00:42:45,598 ♪ OH, THAT'S FOR SURE ♪ 1057 00:42:45,664 --> 00:42:47,900 ♪ POSITIVELY ♪ 1058 00:42:47,967 --> 00:42:51,270 ♪ THAT'S WHAT THE WORLD IS MADE OF ♪ 1059 00:42:51,337 --> 00:42:55,307 ♪ SO GIVE ME MORE L-O-V-E LOVE ♪ 1060 00:42:55,374 --> 00:42:57,777 ♪ LOVE IS A WALK DOWN MAIN STREET ♪ 1061 00:42:57,843 --> 00:42:59,311 ♪ OH, LOVE ♪ 1062 00:42:59,378 --> 00:43:01,714 ♪ LOVE IS AN APPLE, HONEY, SO SWEET ♪ 1063 00:43:01,781 --> 00:43:04,383 DUDE, I CAN'T BELIEVE YOU SCORED SUCH GREAT SEATS. 1064 00:43:04,450 --> 00:43:07,520 DUDE, I CAN'T BELIEVE HOW MANY HOTTIES DIG AL GREEN. 1065 00:43:07,586 --> 00:43:09,488 ♪ IT'S STRANGE TO ME ♪ 1066 00:43:09,555 --> 00:43:12,525 ♪ MAYBE TIME WILL BRING US TOGETHER ♪ 1067 00:43:12,591 --> 00:43:16,829 ♪ AND I CAN BE SUCH A HAPPY FELLA ♪ 1068 00:43:16,896 --> 00:43:18,731 [NEW SONG] ♪ ...YOU PUT ME THROUGH ♪ 1069 00:43:18,798 --> 00:43:22,034 ♪ YOU STOLE MY MONEY AND MY CIGARETTES ♪ 1070 00:43:22,101 --> 00:43:25,070 ♪ AND I AIN'T SEEN HIDE NOR HAIR OF YOU YET ♪ 1071 00:43:25,137 --> 00:43:27,673 ♪ I WANT TO KNOW ♪ 1072 00:43:27,740 --> 00:43:29,241 ♪ TELL ME ♪ 1073 00:43:29,308 --> 00:43:32,778 ♪ 'CAUSE I'D LOVE TO STAY ♪ 1074 00:43:32,845 --> 00:43:34,914 ♪ OH OH OH ♪ 1075 00:43:34,980 --> 00:43:38,417 ♪ TAKE ME TO THE RIVER ♪ 1076 00:43:38,484 --> 00:43:40,352 ♪ WASH ME DOWN ♪ 1077 00:43:41,620 --> 00:43:43,322 ♪ WON'T YOU CLEANSE MY SOUL ♪ 1078 00:43:43,389 --> 00:43:45,357 ♪ WHERE YOU GOING? HA HA ♪ 1079 00:43:45,424 --> 00:43:48,427 OH. SORRY. WRONG PERSON. 1080 00:43:48,494 --> 00:43:50,596 ♪ COME ON, SOMEBODY ♪ 1081 00:43:50,663 --> 00:43:54,066 ♪ I DON'T KNOW WHY YOU TREAT ME SO BAD ♪ 1082 00:43:54,133 --> 00:43:57,837 ♪ HOW ABOUT ALL THE THINGS THAT WE COULD HAVE HAD ♪ 1083 00:43:57,903 --> 00:44:01,740 ♪ LOVE IS A NOTION THAT I CAN'T FORGET ♪ 1084 00:44:01,807 --> 00:44:04,376 ♪ MY SWEET SIXTEEN I WILL NEVER FORGET ♪ 1085 00:44:04,443 --> 00:44:07,179 ♪ I WANT TO KNOW, WON'T YOU TELL ME ♪ 1086 00:44:07,246 --> 00:44:11,050 Abbey: HELLO? CAN YOU HEAR ME? 1087 00:44:11,116 --> 00:44:13,719 ♪ ...LOVE. YES, YOU ARE, YES YOU ARE ♪ 1088 00:44:13,786 --> 00:44:15,254 Paul: HEY, ABBEY, IT'S PAUL. 1089 00:44:15,321 --> 00:44:19,391 HEY, WHERE ARE YOU? THE SHOW'S ALREADY STARTED. 1090 00:44:19,458 --> 00:44:21,460 Paul: I KNOW I'M SUPPOSED TO MEET YOU RIGHT NOW, 1091 00:44:21,527 --> 00:44:23,896 BUT I'M CAUGHT UP IN A MEETING. I CAN'T LEAVE. 1092 00:44:23,963 --> 00:44:26,999 NO! I WAS JUST REALLY LOOKING FORWARD TO THIS. 1093 00:44:27,066 --> 00:44:29,435 Paul: I'M REALLY, REALLY SORRY, OK? 1094 00:44:29,502 --> 00:44:30,736 I WANT YOU TO ENJOY YOURSELF. 1095 00:44:30,803 --> 00:44:32,271 I WANT YOU TO HAVE A GOOD TIME. 1096 00:44:32,338 --> 00:44:33,873 HAVE A GREAT MEETING. 1097 00:44:33,939 --> 00:44:36,342 Paul: I'VE GOT TO GO. I'LL SEE YOU LATER, YEAH? 1098 00:44:36,408 --> 00:44:37,676 OK. OK, BYE. 1099 00:44:38,210 --> 00:44:39,512 BYE. 1100 00:44:39,578 --> 00:44:42,014 ♪ PUT MY FEET ON THE GROUND ♪ 1101 00:44:42,081 --> 00:44:43,649 ♪ GET ME JUST ABOVE YOU ♪ 1102 00:44:43,716 --> 00:44:48,587 ♪ TAKE ME TO THE RIVER ♪ 1103 00:44:48,654 --> 00:44:51,323 [CHEERING] 1104 00:44:53,425 --> 00:44:55,227 Bouncer: CAN I SEE YOUR TICKETS, PLEASE? 1105 00:44:55,294 --> 00:44:57,796 OH, TICKETS? YEAH, I GOT TICKETS, MAN. 1106 00:44:57,863 --> 00:44:59,064 YOU'RE VERY WONDERFUL. 1107 00:44:59,131 --> 00:45:00,566 I WAS READING TODAY IN THE NEWSPAPER 1108 00:45:00,633 --> 00:45:03,102 ABOUT A YOUNG MAN WHO FOUND SOMEONE ON A TRAIN... 1109 00:45:03,168 --> 00:45:04,470 YOU'RE KIDDING ME. 1110 00:45:04,537 --> 00:45:06,038 I GOT 'EM. I GOT 'EM. WHAT DO THEY LOOK LIKE? 1111 00:45:06,105 --> 00:45:07,273 JUST TELL ME QUICK, UM-- 1112 00:45:07,339 --> 00:45:08,607 I KNEW THIS WAS TOO GOOD TO BE TRUE. 1113 00:45:08,674 --> 00:45:10,776 Al: ...THAT THEY MAY FIND LOVE AND HAPPINESS 1114 00:45:10,843 --> 00:45:13,112 WHEREVER IT IS. 1115 00:45:13,178 --> 00:45:14,647 I GOT 'EM. OH, MAN! 1116 00:45:14,713 --> 00:45:16,282 [MUSIC PLAYING] 1117 00:45:16,348 --> 00:45:17,783 Eric: HEY, LET GO OF THE THREADS! 1118 00:45:17,850 --> 00:45:19,351 HEY, COME ON, DON'T MAKE ME GET ROUGH WITH YOU! 1119 00:45:19,418 --> 00:45:20,619 HEY, DON'T MAKE ME CALL MY-- 1120 00:45:20,686 --> 00:45:22,121 DIDN'T WE GO TO SCHOOL TOGETHER? 1121 00:45:22,187 --> 00:45:24,690 [AL GREEN SINGING] 1122 00:45:54,987 --> 00:45:56,355 Abbey: HI. 1123 00:46:00,459 --> 00:46:03,662 I--I DIDN'T THINK I'D EVER SEE YOU AGAIN. 1124 00:46:03,729 --> 00:46:06,532 I'VE BEEN KICKING MYSELF FOR NOT ASKING YOUR NAME. 1125 00:46:06,599 --> 00:46:08,334 I WAS HOPING YOU WOULD SAY THAT. 1126 00:46:08,400 --> 00:46:09,568 MY NAME IS... 1127 00:46:09,635 --> 00:46:11,503 Conductor: ADAM'S STREET. 1128 00:46:11,570 --> 00:46:12,738 WHAT? 1129 00:46:12,805 --> 00:46:15,307 IT'S... NEXT STOP MADISON. 1130 00:46:15,374 --> 00:46:16,475 I'M SORRY. I DIDN'T HEAR IT. 1131 00:46:16,542 --> 00:46:19,111 WHAT WAS YOUR NAME? 1132 00:46:19,178 --> 00:46:21,313 [TRAIN HONKS] 1133 00:46:40,633 --> 00:46:42,134 [CELL PHONE RINGS] 1134 00:46:42,201 --> 00:46:43,902 SATURDAY AT 8:00? YOU GOT IT! 1135 00:46:43,969 --> 00:46:45,604 Eric: THEY GOT VEGETABLES, THEY GOT EVERYTHING. 1136 00:46:45,671 --> 00:46:47,606 YEAH, SURE. WELL, I MEAN, THAT DEPENDS. 1137 00:46:47,673 --> 00:46:49,008 I KNOW THIS ABSOLUTELY EXQUISITE TRATTORIA. 1138 00:46:49,074 --> 00:46:51,276 I MEAN, WHAT'S YOUR FAVORITE KIND OF FOOD? 1139 00:46:51,343 --> 00:46:53,012 I NEED SATURDAY, 6:00 STAT! 1140 00:46:53,078 --> 00:46:55,314 I'VE GOT A 5:00 AND A 7:30. I COULD DO IT AT 6:15! 1141 00:46:55,381 --> 00:46:57,216 GOOD! GIVE ME AN 8: 00 ON SATURDAY-- 1142 00:46:57,282 --> 00:46:59,618 GIVE ME SOMETHING GOOD, OKAY? THIS GIRL IS SPECIAL TO ME. 1143 00:46:59,685 --> 00:47:01,453 WHAT THE HECK IS GOING ON HERE? 1144 00:47:01,520 --> 00:47:02,921 OH, MAN, WE GOT THIS DOWN. 1145 00:47:02,988 --> 00:47:04,790 PHONE, RESERVATION, SCHEDULING. 1146 00:47:04,857 --> 00:47:06,392 CHECK IT OUT. IT IS ALL GOOD! 1147 00:47:06,458 --> 00:47:07,726 Rod: YOU DON'T EVEN WANT TO KNOW! 1148 00:47:07,793 --> 00:47:10,329 I GOT THE TWINS FOR YOU AT OAK PARK AT 7:30! 1149 00:47:10,396 --> 00:47:12,564 IT'S GONNA BE GREAT! 1150 00:47:12,631 --> 00:47:15,234 THAT WILL BE PERFECT. I'LL PICK YOU UP AT EIGHT-ISH. 1151 00:47:15,300 --> 00:47:16,535 [PHONE RINGS] HELLO? 1152 00:47:16,602 --> 00:47:18,937 THIS CANNOT BE HAPPENING. DONE! THANK YOU. 1153 00:47:19,004 --> 00:47:21,540 WHAT IS YOUR PROBLEM, MAN? YOU GAVE US THE GREEN LIGHT. 1154 00:47:21,607 --> 00:47:23,942 WHAT? GREEN LIGHT? WHAT ARE YOU TALKING ABOUT? 1155 00:47:24,009 --> 00:47:25,511 I'M TALKIN' ABOUT YOU SAID YES ON THE PHONE 1156 00:47:25,577 --> 00:47:27,413 THE OTHER DAY, REMEMBER? WHEN? 1157 00:47:27,479 --> 00:47:28,814 AW, MAN, WE COULD STAND HERE ALL NIGHT 1158 00:47:28,881 --> 00:47:30,416 AND PLAY THE "HE SAID, HE SAID" THING-- 1159 00:47:30,482 --> 00:47:31,884 SHH! SHH! [RECORD SCRATCHES] 1160 00:47:31,950 --> 00:47:34,687 YES? OUI, MADAME. VOUS ETES FRANCOISE? 1161 00:47:34,753 --> 00:47:36,822 YEAH, YEAH, HE'S GOT A FRENCH GIRL! 1162 00:47:39,525 --> 00:47:41,427 OK, THINK OF SOMETHING FRENCH. 1163 00:47:41,493 --> 00:47:43,829 Rod: LE POU-POU DE MAMA? 1164 00:47:43,896 --> 00:47:45,497 UH...YEAH, SURE. 1165 00:47:45,564 --> 00:47:47,466 ERIC! LINE ONE. YO! 1166 00:47:47,533 --> 00:47:49,034 PATCH IT THROUGH NOW. GO. 1167 00:47:49,101 --> 00:47:51,770 HELLO, THIS IS KEVIN. 1168 00:47:51,837 --> 00:47:52,604 HELLO? 1169 00:47:52,671 --> 00:47:54,073 Man: HELLO? 1170 00:47:54,139 --> 00:47:56,241 HELLO? [BEEP] 1171 00:47:56,308 --> 00:47:57,676 THAT SOUNDED LIKE A DUDE. 1172 00:47:59,011 --> 00:48:00,346 THAT WAS STRANGE. 1173 00:48:00,412 --> 00:48:02,715 Woman: WHAT? 1174 00:48:02,781 --> 00:48:04,983 WHY ARE YOU READING THIS? 1175 00:48:05,050 --> 00:48:06,552 I DON'T KNOW. 1176 00:48:06,618 --> 00:48:09,455 I THOUGHT YOU'D APPRECIATE THAT I'M INTO YOUR ARTICLES. 1177 00:48:09,521 --> 00:48:10,823 LOOK AT THIS. 1178 00:48:10,889 --> 00:48:14,293 ALL THESE PATHETIC WOMEN WANT TO MEET THIS GUY. 1179 00:48:14,360 --> 00:48:16,562 PEOPLE ARE LONELY. 1180 00:48:16,628 --> 00:48:20,165 [KISS] ANYWAY, I THINK THE NOTION 1181 00:48:20,232 --> 00:48:22,601 OF SOMEONE FINDING TRUE LOVE 1182 00:48:22,668 --> 00:48:24,636 IS--IS BEAUTIFUL! 1183 00:48:24,703 --> 00:48:27,339 AND I HOPE SHE CALLS HIM. 1184 00:48:27,406 --> 00:48:30,142 WHAT IS YOUR OBSESSION WITH THIS GUY? 1185 00:48:30,209 --> 00:48:31,343 [SIGHS] 1186 00:48:31,410 --> 00:48:32,711 I'M OBSESSED? 1187 00:48:32,778 --> 00:48:35,013 WELL, YOU DO UNDERSTAND THAT THE WHOLE NOTION 1188 00:48:35,080 --> 00:48:36,849 OF LOVE IS MERELY A MYTH. 1189 00:48:36,915 --> 00:48:39,651 IT WAS INVENTED BY CORPORATIONS TO TURN A PROFIT. 1190 00:48:39,718 --> 00:48:41,820 LOVE DOESN'T EXIST. 1191 00:48:41,887 --> 00:48:42,988 THAT'S ROMANTIC. 1192 00:48:43,055 --> 00:48:44,690 ROMANCE DOESN'T EXIST. 1193 00:48:44,757 --> 00:48:46,625 I FEEL SORRY FOR YOU. 1194 00:48:47,760 --> 00:48:49,294 WHAT, YOU THINK HE'S ROMANTIC? 1195 00:48:49,361 --> 00:48:52,097 THAT LOSER'S JUST PUTTING UP POSTERS TO MEET MORE GIRLS. 1196 00:48:52,164 --> 00:48:53,832 YOU'RE JUST JEALOUS! [DOOR SLAMS] 1197 00:48:53,899 --> 00:48:56,635 WELL, IF YOU LIKE HIM SO MUCH, WHY DON'T YOU CALL HIM? 1198 00:49:07,279 --> 00:49:08,580 SWEETIE? 1199 00:49:29,802 --> 00:49:32,204 [CELL PHONE RINGS] 1200 00:49:33,505 --> 00:49:35,507 YO, WHO DIS? KEVIN? 1201 00:49:35,574 --> 00:49:36,875 UH-HUH. THAT'S MY NAME. 1202 00:49:36,942 --> 00:49:38,744 ASK ME AGAIN, I'M GONNA TELL YOU THE SAME. 1203 00:49:38,811 --> 00:49:42,381 HI, IT'S ME--THE GIRL FROM THE TRAIN. 1204 00:49:42,447 --> 00:49:43,816 HEY, WHAT UP? 1205 00:49:43,882 --> 00:49:46,385 SO, YOU KNOW, WHEN WE HOOKIN' UP? 1206 00:49:46,451 --> 00:49:49,288 UH, TOMORROW NIGHT I'M FREE. 1207 00:49:49,354 --> 00:49:50,656 TOMORROW? SUNDAY? 1208 00:49:50,722 --> 00:49:54,259 UM, YEAH, COOL. HOW'S CAFE DE LOVE? 1209 00:49:54,326 --> 00:49:55,494 7:30? 1210 00:49:55,561 --> 00:49:57,796 YEAH. THAT SOUNDS GOOD. 1211 00:49:57,863 --> 00:50:01,233 YEAH. I'LL BE THERE WITH BELLS ON. 1212 00:50:01,300 --> 00:50:02,634 [HANGS UP] 1213 00:50:12,511 --> 00:50:13,779 [SQUIRT] 1214 00:50:16,582 --> 00:50:17,983 [SQUIRT, SQUIRT] 1215 00:50:18,050 --> 00:50:19,685 [SQUIRT, SQUIRT] 1216 00:50:19,751 --> 00:50:21,353 [GAGS AND COUGHS] 1217 00:50:21,420 --> 00:50:23,121 [CLEARS THROAT] 1218 00:50:23,188 --> 00:50:24,256 [COUGHS] 1219 00:50:24,323 --> 00:50:25,657 [SNIFFS] 1220 00:50:25,724 --> 00:50:27,192 [SQUIRT, SQUIRT] 1221 00:50:29,061 --> 00:50:30,195 [SQUIRT] 1222 00:50:30,262 --> 00:50:31,530 OH! [THUD] 1223 00:50:31,597 --> 00:50:33,498 WELL, BEING THAT I'M A POP STAR, YOU KNOW, 1224 00:50:33,565 --> 00:50:34,800 IT'S EASY TO FIND GUYS. 1225 00:50:34,867 --> 00:50:36,869 IT'S JUST NOT EASY FINDING THE RIGHT GUYS, 1226 00:50:36,935 --> 00:50:40,072 SO WHEN I SAW YOUR POSTER, I KNEW YOU'D BE DIFFERENT, 1227 00:50:40,138 --> 00:50:41,607 YOU KNOW? NOT THE PLAYER TYPE. 1228 00:50:41,673 --> 00:50:42,875 HAS ANYBODY EVER TOLD YOU 1229 00:50:42,941 --> 00:50:46,144 THAT YOU HAVE THE FACE OF A DE KOONING WOMAN? 1230 00:50:46,211 --> 00:50:48,513 I'M PIERCED IN 49 DIFFERENT PLACES 1231 00:50:48,580 --> 00:50:51,116 ON MY BODY. 1232 00:50:51,183 --> 00:50:53,585 Eric: ENOUGH OF THIS TALK, ALL RIGHT? 1233 00:50:53,652 --> 00:50:54,953 YOU AND ME TAKE A WALK. YEAH. 1234 00:50:55,020 --> 00:50:57,322 LIKE TONIGHT, WE'LL HEAD BACK TO YOUR PAD 1235 00:50:57,389 --> 00:50:59,024 WHERE WE CAN GET GLAD. 1236 00:50:59,091 --> 00:51:01,560 [GROANING] 1237 00:51:02,561 --> 00:51:04,529 OW! 1238 00:51:04,596 --> 00:51:05,998 WUSS. 1239 00:51:06,932 --> 00:51:07,699 MOMMY. 1240 00:51:07,766 --> 00:51:10,102 AH! YOU STOLE MY POSTER! 1241 00:51:14,172 --> 00:51:15,774 HI, KEVIN. 1242 00:51:18,010 --> 00:51:20,012 BRANDI, SHE'S SWEET AS CANDY! 1243 00:51:20,078 --> 00:51:22,247 YEAH, YOU THE FINEST SISTA. 1244 00:51:22,314 --> 00:51:23,849 CAN I KISS YA? 1245 00:51:23,916 --> 00:51:27,019 FOOL! THAT'S THE LAST TIME... 1246 00:51:27,085 --> 00:51:29,087 SHE'S INTO ME. 1247 00:51:29,154 --> 00:51:31,657 HI. I'M JULIE. 1248 00:51:31,723 --> 00:51:35,193 HI. I'M...KEVIN. 1249 00:51:41,133 --> 00:51:42,701 [SNIFFS] 1250 00:51:50,342 --> 00:51:51,710 UH--OH! 1251 00:51:51,777 --> 00:51:54,613 OH, YEAH, BABY! OH, COME ON, COME TO PAPA. 1252 00:51:57,749 --> 00:51:59,818 COME ON, COME HERE. THAT'S IT. 1253 00:51:59,885 --> 00:52:01,653 YEAH, I WON'T BITE. I PROMISE. 1254 00:52:01,720 --> 00:52:03,221 THAT'S IT. COME HERE. 1255 00:52:06,425 --> 00:52:08,760 CHEERS, BABY. I'M KEVIN. 1256 00:52:10,362 --> 00:52:11,863 NO, YOU'RE NOT. 1257 00:52:11,930 --> 00:52:14,066 ARE YOU SAYING I'M NOT WHO I SAY I AM? 1258 00:52:14,132 --> 00:52:16,868 YEAH! THAT'S EXACTLY WHAT I'M SAYING! 1259 00:52:16,935 --> 00:52:18,704 HEY, WHAT'S THE PROBLEM? 1260 00:52:18,770 --> 00:52:21,340 I KNEW YOU SOUNDED DIFFERENT ON THE PHONE. 1261 00:52:21,406 --> 00:52:23,208 HEY, WAIT A SECOND. COME BACK HERE. COME ON. 1262 00:52:23,275 --> 00:52:24,476 HEY, IF YOU DON'T LIKE THIS PLACE, 1263 00:52:24,543 --> 00:52:25,911 WE CAN GO SOMEWHERE ELSE. 1264 00:52:25,978 --> 00:52:28,046 HEY, COME ON! YOU SHOULD AT LEAST TRY AN APPETIZER! 1265 00:52:28,113 --> 00:52:29,715 LOOK, I'M NOT HIM, YOU'RE NOT HER. 1266 00:52:29,781 --> 00:52:31,616 WHAT DIFFERENCE DOES IT MAKE? COME ON! 1267 00:52:31,683 --> 00:52:32,851 LOOK, I DON'T KNOW WHO YOU ARE, 1268 00:52:32,918 --> 00:52:34,219 BUT IF YOU DON'T LEAVE ME ALONE, 1269 00:52:34,286 --> 00:52:35,253 I'LL CALL THE COPS. 1270 00:52:35,320 --> 00:52:36,455 HEY, HONEY, COME HERE. 1271 00:52:36,521 --> 00:52:37,923 WHAT PART OF "I'LL CALL THE COPS" 1272 00:52:37,990 --> 00:52:39,257 DIDN'T YOU UNDERSTAND? 1273 00:52:39,324 --> 00:52:40,859 LIKE THE WHOLE THING. 1274 00:52:42,361 --> 00:52:44,429 YOU'RE HER. 1275 00:52:44,496 --> 00:52:47,299 YOU'RE THE ONE FROM THE TRAIN. 1276 00:52:47,366 --> 00:52:49,401 YEAH, YOU ARE FINE! 1277 00:52:49,468 --> 00:52:52,971 UM, UH, WASHINGTON, LINCOLN, DONNY REAGAN, 1278 00:52:53,038 --> 00:52:55,540 MARTIN SHEEN, MR. MIYAGI, BILLY JOEL, 1279 00:52:55,607 --> 00:52:57,576 UH, I'M A FRIEND OF KEVIN'S. 1280 00:52:57,642 --> 00:52:59,077 DOES HE KNOW YOU'RE DOING THIS? 1281 00:52:59,144 --> 00:53:01,780 YES. YOU WOULDN'T BELIEVE HOW MANY LADIES HAVE CALLED. 1282 00:53:01,847 --> 00:53:03,915 WE COULD START A BOOMING BUSINESS! 1283 00:53:03,982 --> 00:53:05,484 WAIT A SECOND. THAT'S NOT A BAD IDEA. 1284 00:53:05,550 --> 00:53:08,086 LIKE--AW! 1285 00:53:09,321 --> 00:53:10,188 YEAH, OK, FINE. 1286 00:53:10,255 --> 00:53:12,090 SO, THEN, I'LL JUST CALL YOU LATER? 1287 00:53:12,157 --> 00:53:14,693 [SNORING] 1288 00:53:25,437 --> 00:53:26,538 [SLAM] 1289 00:53:26,605 --> 00:53:27,973 UHH! 1290 00:53:29,708 --> 00:53:31,743 SO? 1291 00:53:31,810 --> 00:53:33,745 I DON'T THINK IT WAS HIM. 1292 00:53:33,812 --> 00:53:35,347 WHAT DO YOU MEAN? 1293 00:53:35,414 --> 00:53:37,482 I THINK HIS FRIENDS ARE ANSWERING THE CALLS 1294 00:53:37,549 --> 00:53:39,684 AND TAKING THE GIRLS OUT. 1295 00:53:39,751 --> 00:53:41,153 YES! 1296 00:53:41,219 --> 00:53:42,721 I KNEW IT! 1297 00:53:42,788 --> 00:53:44,890 NOW I CAN EXPOSE HIM FOR THE FRAUD HE IS! 1298 00:53:44,956 --> 00:53:48,160 HEH HEH! KEVIN GIBBONS. 1299 00:53:48,226 --> 00:53:49,528 HIS BUTT IS MINE! 1300 00:53:49,594 --> 00:53:51,463 [SIGHS] 1301 00:53:51,530 --> 00:53:53,331 YOU KNOW WHAT I MEAN. 1302 00:53:53,398 --> 00:53:54,866 [CLACK] 1303 00:53:56,168 --> 00:53:59,237 WHAT THE HECK HAPPENED TO YOU? 1304 00:53:59,304 --> 00:54:00,338 [GIGGLES] 1305 00:54:00,405 --> 00:54:01,940 [SIGHS] 1306 00:54:02,007 --> 00:54:03,842 ♪ HEY, BABY, HEY, BABY ♪ 1307 00:54:03,909 --> 00:54:05,677 ♪ YEAH, BABY, YEAH, BABY ♪ 1308 00:54:05,744 --> 00:54:07,546 ♪ HEY, BABY, HEY, BABY ♪ 1309 00:54:07,612 --> 00:54:08,847 ♪ YEAH, BABY ♪ 1310 00:54:08,914 --> 00:54:10,849 ♪ YEAH, BABY, YEAH ♪ 1311 00:54:13,952 --> 00:54:16,188 GOOD MORNING, MARGIE. 1312 00:54:17,756 --> 00:54:20,625 ♪ BABY, BABY, BABY BABY, BABY, BABY ♪ 1313 00:54:20,692 --> 00:54:23,061 ♪ BABY, BABY, BABY BABY, BABY, BABY ♪ 1314 00:54:23,128 --> 00:54:24,830 ♪ BABY, BABY, BABY ♪ 1315 00:54:24,896 --> 00:54:28,633 GIBBONS, WE NEED TO HAVE A LITTLE TALK. 1316 00:54:28,700 --> 00:54:31,169 MR. HIGGINS, THE PROPOSAL, IT'S COMING ALONG GREAT. 1317 00:54:31,236 --> 00:54:34,840 OH, YES, ABOUT THAT. PLEASE. 1318 00:54:34,906 --> 00:54:37,042 HOW CAN I PUT THIS DELICATELY? 1319 00:54:37,109 --> 00:54:40,545 REEBOK WANTS YOU OFF THE CAMPAIGN. 1320 00:54:40,612 --> 00:54:41,913 WHAT? MM-HMM. 1321 00:54:41,980 --> 00:54:43,215 YES. APPARENTLY THEY READ 1322 00:54:43,281 --> 00:54:45,050 THAT LAST ARTICLE ABOUT YOU IN THE PAPER 1323 00:54:45,117 --> 00:54:46,685 YOU KNOW, ABOUT HOW YOU SAID YOU WANTED TO FIND 1324 00:54:46,751 --> 00:54:48,854 THE ONE GIRL SO THAT YOU COULD DATE EVERY DESPERATE 1325 00:54:48,920 --> 00:54:50,188 WOMAN IN THE WINDY CITY, 1326 00:54:50,255 --> 00:54:52,390 WHICH I THINK WAS MASTERFUL-- 1327 00:54:52,457 --> 00:54:54,025 MASTERFUL, GIBBONS. 1328 00:54:54,092 --> 00:54:56,328 BUT REEBOK, THEY GOT COLD FEET, 1329 00:54:56,394 --> 00:54:57,295 NO PUN INTENDED. 1330 00:54:57,362 --> 00:54:59,030 HOW CAN AN ARTICLE IN A PAPER 1331 00:54:59,097 --> 00:55:00,766 HAVE ANYTHING TO DO WITH MY WORK? 1332 00:55:00,832 --> 00:55:04,903 AH! WELL, GIBBONS, CLIENTS ARE FUNNY THAT WAY. 1333 00:55:04,970 --> 00:55:06,671 THEY SAID THEY DIDN'T WANT SOMEONE ON THEIR TEAM 1334 00:55:06,738 --> 00:55:09,341 WHO WOULD SAY ONE THING AND DO ANOTHER. 1335 00:55:09,407 --> 00:55:12,010 IT'S AN IMAGE THING FOR THEM. 1336 00:55:12,077 --> 00:55:14,546 BUT...I DON'T UNDERSTAND. 1337 00:55:14,613 --> 00:55:15,881 GIBBONS, I'M SICK ABOUT THIS, 1338 00:55:15,947 --> 00:55:18,416 BUT MY HANDS ARE TIED. SORRY. 1339 00:55:21,553 --> 00:55:23,655 HEY, THERE, KEV. 1340 00:55:23,722 --> 00:55:27,025 [GIGGLES] 1341 00:55:27,092 --> 00:55:30,295 YOU MIGHT WANT TO START PRACTICING WITH THE MAIL CART. 1342 00:55:30,362 --> 00:55:31,997 [GIGGLES] 1343 00:55:49,381 --> 00:55:50,782 SO, I TAKE IT, IT WAS A FRUITFUL EVENING? 1344 00:55:50,849 --> 00:55:53,151 Eric: OH, YEAH, DUDE. 1345 00:55:53,218 --> 00:55:54,953 THOSE LITTLE BIRDIES DIDN'T STAND A CHANCE. 1346 00:55:55,020 --> 00:55:58,423 I WAS LIKE, BAM, BAM, BAM-BAM-BAM! HA HA! [BLOWS] 1347 00:55:58,490 --> 00:56:01,860 YOU KNOW WHAT I'M SAYIN'? HOW 'BOUT YOU? 1348 00:56:01,927 --> 00:56:03,862 WELL, LET'S JUST SAY THAT, UH... 1349 00:56:03,929 --> 00:56:05,964 MY ACTION CUP RUNNETH OVER. 1350 00:56:06,031 --> 00:56:09,868 HA HA! ACTION CUP! THAT'S A METAPHOR, RIGHT? 1351 00:56:09,935 --> 00:56:13,271 YEAH. HA HA! THAT'S A GOOD ONE. 1352 00:56:13,338 --> 00:56:14,439 OH! 1353 00:56:14,506 --> 00:56:16,074 HEY! 1354 00:56:16,141 --> 00:56:17,976 GOOD MORNING. HOW YOU DOING? 1355 00:56:18,043 --> 00:56:20,045 WHY SO CRESTFALLEN, YOUNG MAN? 1356 00:56:21,179 --> 00:56:22,847 I DON'T WANT TO TALK ABOUT IT. 1357 00:56:22,914 --> 00:56:24,983 AT THIS TABLE, WE KISS AND WE TELL. 1358 00:56:25,050 --> 00:56:28,553 YEAH, AND THEN WE TELL SOME MORE, SO COME ON! 1359 00:56:28,620 --> 00:56:29,888 I THINK I INJURED MY DATE. 1360 00:56:29,955 --> 00:56:32,157 HA HA! COME ON, DUDE! DON'T BE SO COCKY! 1361 00:56:32,224 --> 00:56:34,125 NO, I'M SERIOUS. SHE'S JACKED UP. 1362 00:56:34,192 --> 00:56:35,293 WHAT IS SHE, A CAR? 1363 00:56:35,360 --> 00:56:36,928 ISN'T THAT A GOOD THING, DUDE? 1364 00:56:36,995 --> 00:56:38,430 NO. 1365 00:56:38,496 --> 00:56:39,664 SO, WHAT--WHAT'S UP? 1366 00:56:39,731 --> 00:56:41,499 YEAH? 1367 00:56:41,566 --> 00:56:43,401 ALL RIGHT, I'LL TELL YOU WHAT HAPPENED. 1368 00:56:45,503 --> 00:56:46,371 WE'RE ON A DATE, 1369 00:56:46,438 --> 00:56:47,806 MET HER AT THE BAR... NICE. 1370 00:56:47,873 --> 00:56:49,341 BROUGHT HER TO MY APARTMENT. 1371 00:56:49,407 --> 00:56:51,509 AND ALL OF A SUDDEN SHE POINTS TO ME AND SHE SAYS TO ME, 1372 00:56:51,576 --> 00:56:53,078 "I WANT TO HEAR YOU PLAY 1373 00:56:53,144 --> 00:56:55,547 ONE OF THE SONGS THAT YOU WROTE." 1374 00:56:55,614 --> 00:56:56,848 HA HA HA! YEAH! 1375 00:56:56,915 --> 00:56:58,950 SO I THOUGHT THAT WAS FRIGGIN' GREAT, RIGHT? 1376 00:56:59,017 --> 00:57:01,519 SO I WAS LIKE, "SURE!" SO THERE I AM. 1377 00:57:01,586 --> 00:57:03,221 SO I START JAMMIN'. I'M JAMMIN'. 1378 00:57:03,288 --> 00:57:05,357 I'M SINGIN', I'M GOIN', I'M GROOVIN', I'M ROCKIN', 1379 00:57:05,423 --> 00:57:06,891 I'M ROLLIN'. I'M JUST GOIN' AFTER THE CRAZY. 1380 00:57:06,958 --> 00:57:08,426 YOU KNOW THAT SIGNATURE MOVE THAT I DO 1381 00:57:08,493 --> 00:57:09,527 WHEN I KICK THAT AMP? 1382 00:57:09,594 --> 00:57:10,929 OH, YEAH! 1383 00:57:12,831 --> 00:57:13,832 THAT'S WHEN IT HAPPENED. 1384 00:57:13,898 --> 00:57:16,067 YES! YES! 1385 00:57:16,134 --> 00:57:17,102 WHAT? WHAT? 1386 00:57:17,168 --> 00:57:18,937 [PLAYING MUSIC] 1387 00:57:19,004 --> 00:57:20,005 [THWACK] 1388 00:57:20,071 --> 00:57:21,673 DUDE, YOU BROKE HER NOSE? 1389 00:57:21,740 --> 00:57:22,841 [CRASH] 1390 00:57:22,907 --> 00:57:25,243 AND HER ANKLE. 1391 00:57:25,310 --> 00:57:26,878 YO, SHE GOT ROCKED! 1392 00:57:26,945 --> 00:57:28,313 BUT IT'S NOT FUNNY. 1393 00:57:32,183 --> 00:57:36,554 UM, SO, GUYS... 1394 00:57:36,621 --> 00:57:38,356 HAVE WE DECIDED WHAT WE'RE GONNA DO 1395 00:57:38,423 --> 00:57:42,160 UM, YOU KNOW, IF THE REAL GIRL ACTUALLY CALLS? 1396 00:57:42,227 --> 00:57:43,595 WELL, IF SHE HASN'T CALLED BY NOW-- 1397 00:57:43,662 --> 00:57:45,931 AND OBVIOUSLY, IF SHE DOES HAPPEN TO CALL, 1398 00:57:45,997 --> 00:57:47,666 THE RIGHT THING TO DO IS CLOSE UP SHOP, 1399 00:57:47,732 --> 00:57:48,967 END OF STORY. 1400 00:57:49,034 --> 00:57:51,036 ANYTHING ELSE WOULD BE UNCONSCIONABLE. 1401 00:57:51,102 --> 00:57:52,337 I SAW HER LAST NIGHT. 1402 00:57:52,404 --> 00:57:54,239 [CHOKES] 1403 00:57:54,306 --> 00:57:55,140 WHAT? 1404 00:57:55,206 --> 00:57:57,242 SHE WAS MY 7:30. 1405 00:57:57,309 --> 00:57:58,610 HAVE YOU TOLD KEVIN ABOUT THIS? 1406 00:57:58,677 --> 00:58:00,512 NOT YET. WELL, YOU NEED TO TELL HIM! 1407 00:58:00,578 --> 00:58:03,048 WELL, YEAH, BUT WHAT ABOUT OUR OPERATION, MAN? 1408 00:58:03,114 --> 00:58:04,382 I MEAN... 1409 00:58:07,519 --> 00:58:08,687 ALL RIGHT. FINE. 1410 00:58:08,753 --> 00:58:10,588 TODAY! FINE! 1411 00:58:17,462 --> 00:58:18,963 DANG IT! 1412 00:58:19,030 --> 00:58:20,398 IDIOTIC MACHINE! 1413 00:58:20,465 --> 00:58:22,367 I SWEAR I WILL UNPLUG YOU, 1414 00:58:22,434 --> 00:58:24,135 AND THROW YOU DOWN ALL FLIGHTS 1415 00:58:24,202 --> 00:58:25,670 OF THESE STAIRS IN THIS BUILDING. 1416 00:58:25,737 --> 00:58:27,305 PROBLEMS? NO! 1417 00:58:27,372 --> 00:58:29,240 I JUST HAVE OUR BIGGEST CLIENTS WAITING, 1418 00:58:29,307 --> 00:58:31,009 AND THE MACHINE'S TAKING A COFFEE BREAK. 1419 00:58:31,076 --> 00:58:32,711 WHERE'S NATHAN? WHO CARES? 1420 00:58:32,777 --> 00:58:34,512 I HAVE 2 MINUTES BEFORE THE REEBOK MEETING, 1421 00:58:34,579 --> 00:58:36,181 AND IF I DON'T GET THESE COPIES MADE, 1422 00:58:36,247 --> 00:58:39,384 MY WHOLE PROPOSAL TURNS TO CRUD. 1423 00:58:39,451 --> 00:58:41,653 OK. ALL RIGHT. I CAN DO THIS. 1424 00:58:43,588 --> 00:58:44,923 HOLD ON. 1425 00:58:44,989 --> 00:58:46,057 LET ME TAKE A LOOK. 1426 00:58:46,124 --> 00:58:48,026 I DON'T HAVE TIME FOR THIS, KEVIN. 1427 00:58:50,595 --> 00:58:53,965 COME ON, LUCILLE. DON'T DIE ON ME NOW. 1428 00:58:54,032 --> 00:58:56,801 LISTEN, DADDY KNOWS YOU'RE TIRED. 1429 00:58:56,868 --> 00:59:00,105 BUT DADDY KNOWS YOU GOT A FEW MORE LEFT IN YOU. 1430 00:59:00,171 --> 00:59:03,274 YES, YOU DO! YES, YOU DO! 1431 00:59:03,341 --> 00:59:04,843 WHAT ARE YOU DOING? 1432 00:59:04,909 --> 00:59:06,344 IS THIS GONNA WORK? 1433 00:59:06,411 --> 00:59:09,314 SOMETIMES, BUT IF IT DOESN'T... 1434 00:59:09,381 --> 00:59:11,383 [KICK] [MACHINE STARTS] 1435 00:59:11,449 --> 00:59:13,017 GIVE HER A LITTLE LOVE TAP. 1436 00:59:13,084 --> 00:59:14,586 [KNOCKS TWICE] 1437 00:59:21,693 --> 00:59:24,362 [SIRENS AND TRAFFIC] 1438 00:59:24,429 --> 00:59:26,431 [INDISTINCT CHATTER] 1439 00:59:44,048 --> 00:59:45,383 HEY! 1440 00:59:46,851 --> 00:59:49,821 HELLO? IT'S ME! 1441 00:59:49,888 --> 00:59:51,322 HEY! 1442 01:00:50,148 --> 01:00:52,217 YOU WHAT? I SAW HER. 1443 01:00:52,283 --> 01:00:55,753 WHERE? WHEN? I MEAN, YOU DID? 1444 01:00:55,820 --> 01:00:57,121 YEP. 1445 01:00:57,188 --> 01:01:00,058 WELL, WHAT HAPPENED? 1446 01:01:00,124 --> 01:01:01,159 SHE BLEW ME OFF. 1447 01:01:01,226 --> 01:01:04,496 OH, MAN! THAT IS BAD! 1448 01:01:04,562 --> 01:01:07,132 YOU KNOW, IT DOESN'T SURPRISE ME, THOUGH. 1449 01:01:07,198 --> 01:01:09,133 AFTER ALL THE ARTICLES IN THE PAPER, 1450 01:01:09,200 --> 01:01:11,035 BUT THE THING I DON'T UNDERSTAND-- 1451 01:01:11,102 --> 01:01:12,871 WHY DIDN'T SHE CALL IN THE FIRST PLACE? 1452 01:01:17,242 --> 01:01:18,643 KEV... 1453 01:01:20,712 --> 01:01:22,714 SHE DID CALL. 1454 01:01:22,780 --> 01:01:23,915 WHAT? 1455 01:01:23,982 --> 01:01:26,217 YEAH. UM... 1456 01:01:26,284 --> 01:01:28,219 WE SORT OF WENT OUT ON A DATE. 1457 01:01:29,954 --> 01:01:32,357 WAIT A MINUTE. 1458 01:01:32,423 --> 01:01:37,128 SHE CALLED, YOU TOOK HER OUT, 1459 01:01:37,195 --> 01:01:38,463 AND YOU DIDN'T TELL ME? 1460 01:01:38,530 --> 01:01:40,765 WELL, I--NO, I JUST DID. 1461 01:01:40,832 --> 01:01:42,634 WHOA, MAN! HEY, IT'S NOT LIKE I TRIED 1462 01:01:42,700 --> 01:01:44,302 TO KISS HER OR ANYTHING. KEV, COME ON! 1463 01:01:44,369 --> 01:01:45,870 LET'S TALK ABOUT THI-- 1464 01:01:45,937 --> 01:01:47,005 UHH! 1465 01:01:47,071 --> 01:01:48,606 OW! 1466 01:01:48,673 --> 01:01:50,208 UHH! 1467 01:01:50,275 --> 01:01:53,144 OH! UHH! AW! 1468 01:01:53,211 --> 01:01:54,812 KEVIN, COME BACK HERE, MAN! 1469 01:01:54,879 --> 01:01:58,316 ♪ WE'RE NOT GONNA TAKE IT ♪ 1470 01:01:58,383 --> 01:02:01,553 ♪ NO, WE AIN'T GONNA TAKE IT ♪ 1471 01:02:01,619 --> 01:02:08,726 ♪ WE'RE NOT GONNA TAKE IT ANYMORE ♪ 1472 01:02:11,796 --> 01:02:13,197 GUYS, GUYS, GUYS-- 1473 01:02:13,264 --> 01:02:14,866 WHAT? TAKE 5. 1474 01:02:16,768 --> 01:02:18,236 Man: I THOUGHT IT SOUNDED ALL RIGHT. 1475 01:02:18,303 --> 01:02:19,704 Man: I THINK IT SOUNDED PRETTY GOOD. 1476 01:02:25,710 --> 01:02:28,846 LISTEN, KEV, WHAT WE DID WAS INCONSIDERATE, 1477 01:02:28,913 --> 01:02:32,383 SELFISH, STUPID, CLASSLESS. I MEAN-- 1478 01:02:32,450 --> 01:02:33,985 YOU CAN STOP ME ANYTIME. I MEAN-- 1479 01:02:34,052 --> 01:02:35,353 KEEP GOIN'. 1480 01:02:36,854 --> 01:02:40,592 I GUESS WE JUST ACTED LIKE JACKASSES, MAN. 1481 01:02:40,658 --> 01:02:42,360 JUST WANTED TO SAY I'M SORRY. 1482 01:02:42,427 --> 01:02:43,661 I APPRECIATE THE APOLOGY, 1483 01:02:43,728 --> 01:02:45,863 BUT THE DAMAGE IS ALREADY DONE, SO... 1484 01:02:49,000 --> 01:02:51,269 DO YOU KNOW WHY I WANTED TO BECOME A MUSICIAN? 1485 01:02:51,336 --> 01:02:55,440 HMM. GIRLS, MONEY, FAME. 1486 01:02:55,506 --> 01:02:59,377 NO. THE MUSIC, MAN. IT'S THE MUSIC. 1487 01:02:59,444 --> 01:03:01,546 I MEAN, WHEN I'M UP THERE ON THAT STAGE, 1488 01:03:01,613 --> 01:03:04,282 EVERYTHING IS JUST RIGHT AND THE WORLD'S PERFECT... 1489 01:03:06,317 --> 01:03:08,386 UNTIL THEY START BOOING ME. 1490 01:03:08,453 --> 01:03:09,954 YOU NEVER KNOW WHO MIGHT LISTEN TO YOUR SONG 1491 01:03:10,021 --> 01:03:12,590 AND ACTUALLY LIKE IT. 1492 01:03:12,657 --> 01:03:14,392 I GUESS ME DREAMING AND 1493 01:03:14,459 --> 01:03:16,127 THINKING ABOUT WRITING MY SONGS, 1494 01:03:16,194 --> 01:03:17,528 IT'S KIND OF LIKE THAT, THAT GIRL 1495 01:03:17,595 --> 01:03:19,063 THAT YOU MET ON THE TRAIN, YOU KNOW? 1496 01:03:19,130 --> 01:03:21,532 YOU KNOW, YOU WANT SOMETHING SO BAD IT HURTS. 1497 01:03:21,599 --> 01:03:23,735 I JUST ADMIRE YOUR PASSION, KEV. 1498 01:03:32,610 --> 01:03:34,779 YOU INSPIRED ME TO WRITE THIS, 1499 01:03:34,846 --> 01:03:35,947 AND, UH... 1500 01:03:36,014 --> 01:03:37,582 I FIGURE IF YOU COULD PUT YOURSELF ON THE LINE 1501 01:03:37,649 --> 01:03:41,753 TO FIND THAT GIRL, I CAN DO THE SAME... 1502 01:03:43,221 --> 01:03:45,023 WRITE MY ORIGINAL SONG. 1503 01:03:51,029 --> 01:03:52,497 GOOD LUCK WITH THAT. 1504 01:03:53,765 --> 01:03:54,899 COOL. 1505 01:03:59,737 --> 01:04:06,678 N'SYNC: ♪ AND I PRAY YOU'RE FALLING TOO ♪ 1506 01:04:06,744 --> 01:04:11,082 ♪ I'VE BEEN FALLING, FALLING ♪ 1507 01:04:11,149 --> 01:04:14,218 ♪ GIRL, I'M FALLING FOR YOU ♪ 1508 01:04:14,285 --> 01:04:21,426 ♪ AND I PRAY YOU'RE FALLING TOO ♪ 1509 01:04:21,492 --> 01:04:25,596 ♪ I'VE BEEN FALLING, FALLING ♪ 1510 01:04:25,663 --> 01:04:29,300 ♪ EVER SINCE THE MOMENT ♪ 1511 01:04:29,367 --> 01:04:31,269 ♪ I LAID EYES ON YOU ♪ 1512 01:04:31,335 --> 01:04:32,804 ♪ CAN'T YOU SEE? ♪ 1513 01:04:32,870 --> 01:04:34,439 ♪ CAN'T YOU SEE ♪ 1514 01:04:34,505 --> 01:04:38,376 ♪ THAT I'M FALLING, FALLING ♪ 1515 01:04:38,443 --> 01:04:41,245 ♪ GIRL, I'M FALLING FOR YOU ♪ 1516 01:04:41,312 --> 01:04:46,784 ♪ AND I PRAY YOU'RE FALLING TOO ♪ 1517 01:04:46,851 --> 01:04:49,353 ♪ YEAH YEAH YEAH ♪ 1518 01:04:49,420 --> 01:04:52,824 ♪ FALLING, FALLING ♪ 1519 01:04:52,890 --> 01:04:56,828 ♪ EVER SINCE THE MOMENT ♪ 1520 01:04:56,894 --> 01:05:01,365 ♪ I LAID EYES ON YOU ♪ 1521 01:05:01,432 --> 01:05:05,703 ♪ OOH ♪ 1522 01:05:05,770 --> 01:05:07,872 ♪ I'M FALLING ♪ 1523 01:05:12,376 --> 01:05:13,811 [SIGHS] WELL, WE REALLY 1524 01:05:13,878 --> 01:05:15,480 SCREWED THIS ONE UP, HUH, FELLAS? 1525 01:05:15,546 --> 01:05:17,315 WE? WHAT DO YOU MEAN, WE? 1526 01:05:17,382 --> 01:05:18,483 IT WAS YOUR IDEA! 1527 01:05:18,549 --> 01:05:19,784 HEY, COME ON! I DIDN'T FORCE YOU 1528 01:05:19,851 --> 01:05:21,285 TO GO ON ANY OF THOSE DATES, OK? 1529 01:05:21,352 --> 01:05:22,420 YEAH, LISTEN. KEVIN SAID THAT IT 1530 01:05:22,487 --> 01:05:23,554 WASN'T A GOOD IDEA! 1531 01:05:23,621 --> 01:05:24,622 [BOTH ARGUE] 1532 01:05:24,689 --> 01:05:27,692 GENTLEMEN, PLEASE. 1533 01:05:28,760 --> 01:05:29,927 GUYS, COME ON. LISTEN TO US. 1534 01:05:29,994 --> 01:05:31,596 THIS IS STUPID. WE'RE BEING PETTY. 1535 01:05:31,662 --> 01:05:32,830 WE HAVE TO STEP BACK, AND WE HAVE TO LOOK AT 1536 01:05:32,897 --> 01:05:34,532 THE BIGGER PICTURE HERE, ALL RIGHT? 1537 01:05:34,599 --> 01:05:35,833 WE ALL MESSED KEVIN OVER. 1538 01:05:35,900 --> 01:05:37,401 ALL RIGHT. THERE'S A BIT OF TRUTH IN THAT, 1539 01:05:37,468 --> 01:05:39,203 BUT YOU KNOW WHAT? NOW WE GOTTA MAKE THINGS RIGHT, RIGHT? 1540 01:05:39,270 --> 01:05:40,772 YEAH. EXACTLY. 1541 01:05:40,838 --> 01:05:42,740 GOOD! 1542 01:05:42,807 --> 01:05:44,108 HOW ARE WE GONNA DO THAT? 1543 01:05:50,214 --> 01:05:51,849 I GOT AN IDEA. 1544 01:05:51,916 --> 01:05:53,084 [CRASH] 1545 01:05:53,151 --> 01:05:54,285 WHOA! 1546 01:05:54,352 --> 01:05:55,620 LOOK. I'M GONNA START RIGHT HERE, 1547 01:05:55,686 --> 01:05:57,155 AND JUMP, ZIP, LOCK, I'M GONNA RIDE THIS. 1548 01:05:57,221 --> 01:05:59,490 NOW, RANDY, I WANT YOU TO START RIGHT AROUND THE LOOP. 1549 01:05:59,557 --> 01:06:02,093 [INDISTINCT TALKING] 1550 01:06:09,901 --> 01:06:13,204 PEOPLE, WE'RE LOOKING FOR THE REAL "L" TRAIN GIRL. 1551 01:06:14,839 --> 01:06:16,340 Randy: YEAH, SHE'S THE ONE. HERE YOU GO. 1552 01:06:16,407 --> 01:06:18,576 WANTED--WE'RE LOOKING FOR THE REAL TRAIN GIRL. 1553 01:06:18,643 --> 01:06:20,444 HAVE YOU SEEN THIS-- ANYBODY SEEN THIS GIRL? 1554 01:06:20,511 --> 01:06:22,213 SHE'S REAL CUTE, AND, UH... 1555 01:06:22,280 --> 01:06:24,081 YOU SEEN THIS GIRL? TAKE THAT. THANK YOU. 1556 01:06:24,148 --> 01:06:25,716 TAKE A--TAKE A FLIER. HERE YOU GO. 1557 01:06:25,783 --> 01:06:27,785 HAS ANYBODY SEEN THIS GIRL? 1558 01:06:27,852 --> 01:06:30,588 ♪ EVERY TIME I LOOK AROUND ♪ 1559 01:06:30,655 --> 01:06:32,623 ♪ BUT EVERYWHERE YOU ARE ♪ 1560 01:06:32,690 --> 01:06:34,692 A LITTLE SHORT. SHE'S GOT PRETTY HAIR. 1561 01:06:34,759 --> 01:06:37,094 BEAUTIFUL EYES. HELLO. HERE YOU GO. 1562 01:06:37,161 --> 01:06:40,965 ♪ BEAUTIFUL HAIR, PRETTY EYES ♪ 1563 01:06:41,032 --> 01:06:43,234 DO YOU KNOW HER? HAVE YOU SEEN THIS GIRL? 1564 01:06:43,301 --> 01:06:44,502 I'M TRYING TO FIND HER. 1565 01:06:44,569 --> 01:06:45,937 HAVE YOU SEEN THIS GIRL? 1566 01:06:46,003 --> 01:06:48,573 HAS ANYBODY SEEN THIS GIRL? 1567 01:06:48,639 --> 01:06:49,774 HAS ANYBODY SEEN THIS WOMAN? 1568 01:06:49,841 --> 01:06:50,908 HELLO, WE NEED SOME HELP HERE. 1569 01:06:50,975 --> 01:06:52,109 THIS IS REALLY IMPORTANT. 1570 01:06:52,176 --> 01:06:53,945 WE'RE LOOKING FOR THIS GIRL, OK? 1571 01:06:54,011 --> 01:06:57,281 HEY! HEY, WE NEED YOUR HELP, PEOPLE! 1572 01:06:57,348 --> 01:07:00,518 HEY, HAS ANY ONE OF YOU EVER BEEN IN LOVE? HUH? 1573 01:07:00,585 --> 01:07:02,653 HAS ANYONE EVER, EVER MET SOMEONE 1574 01:07:02,720 --> 01:07:05,256 THEY THOUGHT WAS THEIR DESTINY? 1575 01:07:05,323 --> 01:07:08,025 WELL, MY FRIEND KEVIN GIBBONS DID. 1576 01:07:08,092 --> 01:07:09,760 I WASN'T THERE FOR HIM THEN, 1577 01:07:09,827 --> 01:07:11,596 BUT I AM HERE NOW. 1578 01:07:11,662 --> 01:07:12,864 ME AND MY FRIENDS, 1579 01:07:12,930 --> 01:07:14,432 YOU KNOW, WE TOOK ADVANTAGE OF KEVIN 1580 01:07:14,498 --> 01:07:16,701 AND, AND HIS SITUATION. 1581 01:07:16,767 --> 01:07:18,269 HE DIDN'T EVEN KNOW IT. YEAH. 1582 01:07:18,336 --> 01:07:21,606 WE WENT BEHIND HIS BACK. WE MESSED HIM OVER. 1583 01:07:21,672 --> 01:07:22,940 SO COME ON, PEOPLE, 1584 01:07:23,007 --> 01:07:24,876 TAKE A LOOK AT THIS FLIER, PLEASE. 1585 01:07:24,942 --> 01:07:26,811 AND I LEAVE YOU WITH THIS. 1586 01:07:28,246 --> 01:07:31,883 LOVE MAY NOT MAKE THE WORLD GO 'ROUND... 1587 01:07:34,719 --> 01:07:37,555 BUT IT'S WHAT MAKES THE RIDE WORTHWHILE. 1588 01:07:44,028 --> 01:07:46,831 ♪ BUT ANYWHERE YOU ARE ♪ 1589 01:07:46,898 --> 01:07:50,468 ♪ I'LL BE UNDER YOU ♪ 1590 01:07:50,534 --> 01:07:53,471 ♪ EVERY TIME I LOOK AROUND ♪ 1591 01:07:53,538 --> 01:07:55,373 ♪ I NEED YOU NOW ♪ 1592 01:07:55,439 --> 01:07:57,708 ♪ EVERY TIME I LOOK AROUND ♪ 1593 01:07:57,775 --> 01:07:59,710 ♪ I NEED YOU NOW ♪ 1594 01:07:59,777 --> 01:08:02,480 ♪ EVERY TIME I LOOK AROUND ♪ 1595 01:08:02,547 --> 01:08:05,016 ♪ BUT ANYWHERE YOU ARE ♪ 1596 01:08:05,082 --> 01:08:08,753 ♪ I'LL BE UNDER YOU ♪ 1597 01:08:12,890 --> 01:08:15,259 HEY, MARGIE, HAVE YOU SEEN NATHAN? 1598 01:08:15,326 --> 01:08:16,894 DIDN'T YOU HEAR? 1599 01:08:16,961 --> 01:08:18,729 HE HAD A HEART ATTACK LAST NIGHT, 1600 01:08:18,796 --> 01:08:20,932 RIGHT AFTER THE CUBBIES LOST. 1601 01:08:31,909 --> 01:08:34,378 HI, UM, I'M LOOKING FOR A PATIENT. 1602 01:08:34,445 --> 01:08:36,414 HIS NAME IS-- [CRASH] 1603 01:08:36,480 --> 01:08:38,649 Nathan: IF YOU THINK THIS FOOD TASTES SO GOOD, 1604 01:08:38,716 --> 01:08:40,184 THEN YOU EAT IT! 1605 01:08:43,287 --> 01:08:45,690 UH, NEVER MIND. 1606 01:08:45,756 --> 01:08:48,092 SO, ERIC YOUNG DOUBLES FOR AN RBI 1607 01:08:48,159 --> 01:08:50,161 IN THE TOP OF THE NINTH. 1608 01:08:50,227 --> 01:08:53,197 BOTTOM OF THE NINTH, WOOD "K" IS THE SIDE. 1609 01:08:54,165 --> 01:08:56,667 SET 'EM UP, SIT 'EM DOWN. 1610 01:09:01,105 --> 01:09:03,541 YOU KNOW, THIS ISN'T THE FIRST TIME 1611 01:09:03,607 --> 01:09:05,676 MY CUBBIES HAVE PUT ME THROUGH THIS. 1612 01:09:07,211 --> 01:09:10,047 ULCER DURING THE '69 PLAYOFFS. 1613 01:09:10,114 --> 01:09:13,250 HYPERTENSION WHEN THEY LOST IN '84. 1614 01:09:13,317 --> 01:09:14,452 AND YOU SHOULD HAVE SEEN 1615 01:09:14,518 --> 01:09:15,786 THE WAY MY HEMORRHOIDS FLARED UP 1616 01:09:15,853 --> 01:09:17,855 WHEN THEY WENT DOWN IN '89. 1617 01:09:20,291 --> 01:09:23,427 BUT THAT TEAM ALSO GIVES ME A REASON TO LIVE. 1618 01:09:27,031 --> 01:09:29,934 SO, DID IT EVER WORK OUT BETWEEN YOU 1619 01:09:30,001 --> 01:09:32,770 AND THAT NICE GIRL FROM THE TRAIN? 1620 01:09:33,604 --> 01:09:35,706 I WANTED IT TO, 1621 01:09:35,773 --> 01:09:37,341 BUT I DON'T THINK IT'S GONNA HAPPEN. 1622 01:09:39,210 --> 01:09:42,013 AUGUST 29, 1989. MY BELOVED CUBS 1623 01:09:42,079 --> 01:09:45,149 WERE DOWN BY 9 RUNS TO THE ASTROS IN THE SIXTH, 1624 01:09:45,216 --> 01:09:46,784 BUT DID THEY GIVE UP? NO, SIR. 1625 01:09:46,851 --> 01:09:48,552 THEY FOUGHT TOOTH AND NAIL, 1626 01:09:48,619 --> 01:09:51,122 AND THEY WON IN EXTRA INNINGS. 1627 01:09:53,591 --> 01:09:56,827 I'LL NEVER GIVE UP ON MY CUBBIES. 1628 01:09:56,894 --> 01:09:59,730 MAYBE YOU SHOULDN'T GIVE UP ON THAT GIRL, EITHER. 1629 01:10:04,635 --> 01:10:06,003 SO... 1630 01:10:07,271 --> 01:10:09,407 YOU GONNA TELL ME WHAT THAT'S ALL ABOUT? 1631 01:10:16,247 --> 01:10:18,916 ERNIE BANKS'S DINGER. 1632 01:10:20,851 --> 01:10:23,054 CAUGHT IT THE DAY I MET MY WIFE. 1633 01:10:31,429 --> 01:10:33,731 I WANT YOU TO HAVE IT. 1634 01:10:41,939 --> 01:10:43,841 THANKS, NATHAN. 1635 01:10:43,908 --> 01:10:45,976 NOW, YOU'RE NOT GONNA KISS ME, ARE YA? 1636 01:10:46,043 --> 01:10:47,111 HEH! 1637 01:10:48,579 --> 01:10:51,515 GO AHEAD. GO FIND THAT GIRL. 1638 01:11:07,965 --> 01:11:10,267 Jackie: REEBOK SIGNED OFF ON THE ACCOUNT. 1639 01:11:14,305 --> 01:11:15,606 THAT'S GREAT. 1640 01:11:15,673 --> 01:11:17,942 AND I FINALLY GOT PROMOTED 1641 01:11:18,008 --> 01:11:19,477 TO SENIOR EXEC. 1642 01:11:20,478 --> 01:11:22,079 CONGRATULATIONS. 1643 01:11:23,681 --> 01:11:24,715 LOOK, KEVIN, 1644 01:11:24,782 --> 01:11:26,183 I KNOW I'M A HARD CASE, 1645 01:11:26,250 --> 01:11:27,751 BUT YOU'RE JUST GONNA HAVE TO DEAL WITH IT 1646 01:11:27,818 --> 01:11:29,320 WHEN YOU DESIGN THE ACCOUNT. 1647 01:11:33,724 --> 01:11:34,925 I'M BACK ON THE ACCOUNT? 1648 01:11:34,992 --> 01:11:39,130 REEBOK NEEDS YOUR TALENT AND PASSION, 1649 01:11:39,196 --> 01:11:40,631 ESPECIALLY AFTER I TOLD THEM 1650 01:11:40,698 --> 01:11:42,500 THAT IT WAS YOUR IDEA. 1651 01:11:48,205 --> 01:11:50,808 I KNEW THERE WAS A SOFT SIDE IN THERE SOMEWHERE. 1652 01:11:50,875 --> 01:11:52,543 MAYBE, BUT THIS IS STRICTLY 1653 01:11:52,610 --> 01:11:54,278 A BUSINESS DECISION. 1654 01:11:55,412 --> 01:11:57,281 SURE. I UNDERSTAND. 1655 01:11:58,916 --> 01:12:00,251 THAT'S A FINAL COPY OF THE AD. 1656 01:12:00,317 --> 01:12:01,652 YOU MAY WANT TO TAKE A LOOK AT IT 1657 01:12:01,719 --> 01:12:02,753 BEFORE IT GOES UP. 1658 01:12:02,820 --> 01:12:03,954 IT'S GONNA BE BILLBOARDS 1659 01:12:04,021 --> 01:12:05,589 ALL OVER THE CITY. 1660 01:12:09,760 --> 01:12:14,265 OH, I HOPE THAT YOU FIND THAT GIRL YOU'VE BEEN LOOKING FOR. 1661 01:12:17,801 --> 01:12:19,203 Kevin: JACKIE... 1662 01:12:21,272 --> 01:12:22,773 THANKS. 1663 01:12:22,840 --> 01:12:24,141 YEAH. 1664 01:12:33,083 --> 01:12:35,653 ♪ YOU AND I GO WAY UP HIGH ♪ 1665 01:12:35,719 --> 01:12:38,155 ♪ IN THE DARK TELL ME WHERE THE LIGHT'S ♪ 1666 01:12:38,222 --> 01:12:41,025 ♪ GONNA COME FROM NOW ♪ 1667 01:12:41,091 --> 01:12:43,727 ♪ IS IT YOU? WAS IT ME? ♪ 1668 01:12:43,794 --> 01:12:45,829 ♪ FALLEN, OUT OF HOPE ♪ 1669 01:12:45,896 --> 01:12:47,498 ♪ A TIGHT ROPE ♪ 1670 01:12:47,565 --> 01:12:50,134 ♪ AFTER ALL, BABY, YOU SHOULD KNOW ♪ 1671 01:12:50,201 --> 01:12:53,137 ♪ NOT TO BEAT THE GROUND ♪ 1672 01:12:53,204 --> 01:12:55,873 ♪ ALL THAT TALK'S BUT A FOG ♪ 1673 01:12:55,940 --> 01:12:58,275 ♪ FALLING ♪ 1674 01:12:58,342 --> 01:13:02,246 ♪ LOVE IS A HIGH-WIRE ACT ♪ 1675 01:13:02,313 --> 01:13:04,582 ♪ WE'VE GOT TO GET ♪ 1676 01:13:04,648 --> 01:13:06,483 ♪ OUR BALANCE BACK ♪ 1677 01:13:06,550 --> 01:13:08,819 Radio announcer: THIS IS WBFP, PLAYING ALL THE BIGGEST HITS. 1678 01:13:08,886 --> 01:13:10,321 GOOD MORNING, CHICAGO. 1679 01:13:10,387 --> 01:13:12,256 HEY, FOR ALL YOU HELPLESS ROMANTICS OUT THERE, 1680 01:13:12,323 --> 01:13:14,225 THERE'S A NEW TWIST ON THAT TRAIN STORY 1681 01:13:14,291 --> 01:13:15,759 WE'VE ALL BEEN READING ABOUT. 1682 01:13:15,826 --> 01:13:17,361 TURNS OUT... 1683 01:13:17,428 --> 01:13:20,097 ♪ WE'VE ALREADY LOST OUR WAY ♪ 1684 01:13:20,164 --> 01:13:25,703 ♪ THE MEMORY OF YESTERDAY ♪ 1685 01:13:25,769 --> 01:13:29,340 ♪ WE'RE STILL STRONG ENOUGH TO LIGHT THE WAY ♪ 1686 01:13:29,406 --> 01:13:32,676 ♪ DON'T LOOK DOWN ♪ 1687 01:13:32,743 --> 01:13:35,346 ♪ WE CAN REBOUND ♪ 1688 01:13:35,412 --> 01:13:38,449 ♪ WHATEVER MAY LIE AHEAD ♪ 1689 01:13:38,515 --> 01:13:43,787 ♪ KEEP YOUR EYES ON ME NOW ♪ 1690 01:13:43,854 --> 01:13:47,358 ♪ STILL STRONG ENOUGH TO LIGHT THE WAY ♪ 1691 01:13:47,424 --> 01:13:50,327 ♪ DON'T LOOK DOWN ♪ 1692 01:13:50,394 --> 01:13:53,831 ♪ WE CAN REBOUND ♪ 1693 01:13:53,897 --> 01:13:55,566 HEY, GUYS. HEY. 1694 01:13:55,633 --> 01:13:57,434 HOW YOU FEELING? GOOD? YOU'RE LOOKING GOOD. 1695 01:13:57,501 --> 01:13:59,003 YOU KNOW WHAT? I FEEL GOOD. 1696 01:13:59,069 --> 01:14:00,437 AND YOU LOOK GOOD. 1697 01:14:00,504 --> 01:14:03,274 LISTEN, DO YOU WANT A LITTLE PIECE OF ADVICE? 1698 01:14:03,340 --> 01:14:05,209 THIS TIME, WHEN SHE SHOWS, DO US ALL A FAVOR 1699 01:14:05,276 --> 01:14:08,913 AND GET HER NAME AND NUMBER. 1700 01:14:08,979 --> 01:14:10,514 ALL RIGHT. I'LL REMEMBER THAT. 1701 01:14:10,581 --> 01:14:11,982 YOU BETTER HURRY UP, YOU KNOW. 1702 01:14:12,049 --> 01:14:13,684 IT'S ALMOST TIME. 1703 01:14:13,751 --> 01:14:15,286 YOU KNOW WHAT, GUYS? 1704 01:14:15,352 --> 01:14:16,754 I'M GONNA HAVE TO DO THIS ONE ON MY OWN. 1705 01:14:16,820 --> 01:14:17,922 WHOA! ARE YOU SURE YOU DON'T WANT 1706 01:14:17,988 --> 01:14:19,623 THE TEAM THERE FOR MORAL SUPPORT? 1707 01:14:19,690 --> 01:14:21,725 NO, THANKS. 1708 01:14:21,792 --> 01:14:24,461 WELL... I BETTER GO. 1709 01:14:24,528 --> 01:14:25,996 ALL RIGHT. 1710 01:14:26,063 --> 01:14:28,899 WAIT, WAIT. OPEN. 1711 01:14:28,966 --> 01:14:30,067 [SPRITZING] 1712 01:14:30,134 --> 01:14:31,702 NEVER KNOW, MAN. 1713 01:14:31,769 --> 01:14:33,404 [PATS BACK] 1714 01:14:33,470 --> 01:14:35,639 ALL RIGHT, GUYS. DO ANOTHER SET? 1715 01:14:35,706 --> 01:14:38,842 YOU KNOW, SOMETIMES YOU JUST GOTTA... 1716 01:14:38,909 --> 01:14:41,078 LET 'EM GO AND HOPE YOU RAISED 'EM WELL. 1717 01:14:42,413 --> 01:14:43,747 YEAH. 1718 01:14:45,683 --> 01:14:47,351 Woman reporter: IT'S THE MOST ROMANTIC STORY 1719 01:14:47,418 --> 01:14:49,586 TO HIT CHICAGO IN YEARS. 1720 01:14:49,653 --> 01:14:52,556 A YOUNG MAN PUTTING UP POSTERS AND BILLBOARDS 1721 01:14:52,623 --> 01:14:55,125 ALL OVER TOWN IN AN EFFORT TO FIND THE GIRL OF HIS DREAMS. 1722 01:14:55,192 --> 01:14:56,694 IN FACT, CAN YOU TURN THE CAMERA? 1723 01:14:56,760 --> 01:14:58,595 THERE'S ONE RIGHT THERE BEHIND MY SHOULDER. 1724 01:14:58,662 --> 01:15:00,631 Male reporter: WE'RE HERE AT THE "L" TRAIN PLATFORM 1725 01:15:00,698 --> 01:15:02,433 AT WABASH AND ADAMS. 1726 01:15:02,499 --> 01:15:04,468 THERE'S JUST ABOUT 15 MINUTES TO GO 1727 01:15:04,535 --> 01:15:06,470 AND THEN KEVIN GIBBONS... 1728 01:15:06,537 --> 01:15:08,939 [ALL CHATTERING] 1729 01:15:09,006 --> 01:15:11,041 [CAMERAS CLICKING] 1730 01:15:11,108 --> 01:15:12,776 Man: SOME MAY CALL HIM CRAZY, 1731 01:15:12,843 --> 01:15:14,645 OTHERS, A HOPELESS ROMANTIC... 1732 01:15:16,747 --> 01:15:18,582 Woman: ...WAITING TO SEE THE OUTCOME. 1733 01:15:18,649 --> 01:15:21,118 AND THE BIG QUESTION ON EVERYBODY'S MIND IS... 1734 01:15:21,185 --> 01:15:23,754 WILL SHE OR WILL SHE NOT SHOW? 1735 01:15:23,821 --> 01:15:26,357 [CROWD SHOUTING ENCOURAGEMENT] 1736 01:15:33,997 --> 01:15:35,199 [DOOR OPENS] 1737 01:15:35,833 --> 01:15:37,134 [JINGLING] 1738 01:15:37,201 --> 01:15:38,402 Rod: IT'S THE MICK! 1739 01:15:38,469 --> 01:15:41,271 MICK SILVER! HEY, THE MICK! 1740 01:15:44,041 --> 01:15:46,410 OH, MY GOSH! THE MICK! IT'S REALLY YOU! 1741 01:15:46,477 --> 01:15:49,046 I MEAN, GOSH, I CAN'T BELIEVE IT! DUDE, I SEEN YOU ON TV. 1742 01:15:49,113 --> 01:15:52,149 I MEAN, YOU ARE A LEGEND! YOU ARE GREAT! 1743 01:15:52,216 --> 01:15:54,418 WHAT ARE YOU DOING HERE? 1744 01:15:54,485 --> 01:15:55,853 THE MICK RECEIVED THIS DEMO TAPE IN THE MAIL. 1745 01:15:55,919 --> 01:15:57,154 FROM WHO? 1746 01:15:57,221 --> 01:15:59,123 FROM A MAN WHO SHALL REMAIN NAMELESS. 1747 01:15:59,189 --> 01:16:00,391 KEVIN. 1748 01:16:00,457 --> 01:16:02,893 HEY, THE MICK DIGS YOUR SOUNDS, MAN. 1749 01:16:02,960 --> 01:16:04,728 REALLY?! HEY, THE MICK DON'T LIE. 1750 01:16:04,795 --> 01:16:06,663 NO, MAN, YOU NEVER LIE. YOU ALWAYS SAY THE TRUTH. 1751 01:16:06,730 --> 01:16:08,499 AND WHEN IT IS THE TRUTH, IT IS THE TRUTH! 1752 01:16:08,565 --> 01:16:10,601 HOW WOULD YOU LIKE TO RECORD YOUR NEW STUFF 1753 01:16:10,667 --> 01:16:12,136 ON THE MICK'S NEW LABEL? 1754 01:16:12,202 --> 01:16:13,837 WOULD I? MAN, I CAN'T BELIEVE IT! 1755 01:16:13,904 --> 01:16:15,139 WHOA! EASY, EASY! 1756 01:16:15,205 --> 01:16:16,607 YOU'RE ALL ABOUT THE PASSION, MAN! 1757 01:16:16,673 --> 01:16:19,009 OH, MY GOD! I CAN'T BELIEVE MICK-- 1758 01:16:19,076 --> 01:16:20,911 HI, JULIE. HI, ROD. 1759 01:16:20,978 --> 01:16:23,113 HOW'S THE ANKLE? OH, IT'S BUSTED. 1760 01:16:23,180 --> 01:16:26,483 OH, SORRY. UM, HAVE YOU MET THE MICK? 1761 01:16:26,550 --> 01:16:28,986 MICK, JULIE. JULIE, MICK. JULIE, MICK. 1762 01:16:29,052 --> 01:16:30,421 YEAH. WELL, MICK'S ALL RIGHT, 1763 01:16:30,487 --> 01:16:33,157 BUT I'M MORE INTO YOU, ROD. 1764 01:16:33,223 --> 01:16:35,492 REALLY? UM... 1765 01:16:35,559 --> 01:16:37,361 HOW'D YOU LIKE TO HEAR MY NEW SONG? 1766 01:16:37,428 --> 01:16:40,097 YEAH. I'D LOVE TO. GREAT. OK. 1767 01:16:43,167 --> 01:16:44,902 ALL RIGHT, THIS IS... 1768 01:16:44,968 --> 01:16:48,572 [SIGHS] A SONG I WROTE... 1769 01:16:48,639 --> 01:16:50,107 FOR A VERY GOOD FRIEND OF MINE. 1770 01:16:50,174 --> 01:16:52,810 [MUSIC STARTS] 1771 01:16:54,645 --> 01:16:56,947 ♪ I GET A FEELING ♪ 1772 01:16:57,014 --> 01:17:00,350 ♪ I CAN'T EXPLAIN ♪ 1773 01:17:00,417 --> 01:17:05,222 ♪ WHENEVER YOUR EYES MEET MINE ♪ 1774 01:17:05,289 --> 01:17:08,325 ♪ MY HEART SPINS IN CIRCLES ♪ 1775 01:17:08,392 --> 01:17:13,697 ♪ AND I LOSE ALL SPACE AND TIME ♪ 1776 01:17:13,764 --> 01:17:19,470 ♪ AND NOW THAT WE'RE STANDING FACE-TO-FACE ♪ 1777 01:17:19,536 --> 01:17:22,005 ♪ SOMETHING TELLS ME ♪ 1778 01:17:22,072 --> 01:17:25,075 ♪ IT'S GONNA BE OK ♪ 1779 01:17:25,142 --> 01:17:31,381 ♪ AND I'M READY TO FALL IN LOVE TONIGHT ♪ 1780 01:17:31,448 --> 01:17:36,987 ♪ I'M READY TO HOLD MY HEART OPEN WIDE ♪ 1781 01:17:37,054 --> 01:17:39,189 ♪ I CAN'T PROMISE FOREVER ♪ 1782 01:17:39,256 --> 01:17:42,626 ♪ BUT, BABY, I'LL TRY ♪ 1783 01:17:42,693 --> 01:17:47,130 ♪ I'M READY TO FALL ♪ 1784 01:17:47,197 --> 01:17:52,402 ♪ IN LOVE TONIGHT ♪ 1785 01:17:55,372 --> 01:17:57,474 ♪ I KNOW YOU'VE BEEN WATCHING ♪ 1786 01:17:57,541 --> 01:18:00,911 ♪ CHOOSING YOUR MOMENT ♪ 1787 01:18:00,978 --> 01:18:05,215 ♪ BUT I'VE BEEN DREAMING OF THAT DAY ♪ 1788 01:18:06,383 --> 01:18:08,819 ♪ NO ONE BEFORE YOU ♪ 1789 01:18:08,886 --> 01:18:14,591 ♪ HAS GOTTEN TO ME THIS WAY ♪ 1790 01:18:14,658 --> 01:18:17,361 ♪ AND NOW THAT ♪ 1791 01:18:17,427 --> 01:18:20,497 ♪ WE'RE STANDING FACE-TO-FACE ♪ 1792 01:18:20,564 --> 01:18:26,103 ♪ THERE'S SOMETHING I NEED TO SAY ♪ 1793 01:18:26,169 --> 01:18:32,075 ♪ THAT I'M READY TO FALL IN LOVE TONIGHT ♪ 1794 01:18:32,142 --> 01:18:37,648 ♪ I'M READY TO HOLD MY HEART OPEN WIDE ♪ 1795 01:18:37,714 --> 01:18:39,983 ♪ I CAN'T PROMISE FOREVER ♪ 1796 01:18:40,050 --> 01:18:43,320 ♪ BUT, BABY, I'LL TRY ♪ 1797 01:18:43,387 --> 01:18:46,123 ♪ 'CAUSE I'M READY TO FALL... ♪ 1798 01:18:46,189 --> 01:18:49,393 Reporter: WELL, HERE WE ARE JUST AFTER 7 P.M., 1799 01:18:49,459 --> 01:18:50,928 AND THERE IS STILL NO SIGN 1800 01:18:50,994 --> 01:18:53,163 OF THE YOUNG LADY FROM THE "L" TRAIN. 1801 01:18:53,230 --> 01:18:55,365 ♪ NOTHING IS CERTAIN ♪ 1802 01:18:55,432 --> 01:18:58,035 ♪ THIS I KNOW ♪ 1803 01:18:58,101 --> 01:19:00,938 ♪ WHEREVER WE'RE HEADED ♪ 1804 01:19:01,004 --> 01:19:04,007 ♪ I'M READY TO GO ♪ 1805 01:19:04,074 --> 01:19:06,843 ♪ OHHH ♪ 1806 01:19:14,384 --> 01:19:15,652 [CROWD CHEERING] 1807 01:19:15,719 --> 01:19:17,588 ♪ I CAN'T PROMISE FOREVER ♪ 1808 01:19:17,654 --> 01:19:20,757 ♪ BUT, BABY, I'LL TRY ♪ 1809 01:19:20,824 --> 01:19:25,462 ♪ 'CAUSE I'M READY TO FALL ♪ 1810 01:19:25,529 --> 01:19:32,436 ♪ IN LOVE TONIGHT ♪ 1811 01:19:32,502 --> 01:19:36,506 ♪ YES, I'M READY TO FALL ♪ 1812 01:19:36,573 --> 01:19:42,279 ♪ IN LOVE TONIGHT ♪ 1813 01:19:42,346 --> 01:19:44,848 2 QUESTIONS-- 1814 01:19:44,915 --> 01:19:46,984 WHAT IS YOUR NAME? 1815 01:19:47,050 --> 01:19:49,386 AND CAN I PLEASE HAVE YOUR PHONE NUMBER? 1816 01:19:49,453 --> 01:19:52,456 ABBEY, AND I THOUGHT YOU'D NEVER ASK. 1817 01:19:54,424 --> 01:20:00,263 ♪ IN LOVE TONIGHT ♪ 1818 01:20:00,330 --> 01:20:03,867 ♪ IN LOVE TONIGHT ♪ 1819 01:20:03,934 --> 01:20:06,536 [CHEERING AND WHISTLING] 1820 01:20:11,108 --> 01:20:13,543 [CHEERING] 1821 01:20:26,923 --> 01:20:31,461 ♪ 'CAUSE I'M READY TO FALL ♪ 1822 01:20:31,528 --> 01:20:36,366 ♪ IN LOVE TONIGHT ♪ 1823 01:20:37,334 --> 01:20:41,972 ♪ IN LOVE TONIGHT ♪ 1824 01:20:44,441 --> 01:20:47,311 AHH, HE'S STILL A SHMOE. 1825 01:20:47,377 --> 01:20:49,346 Al Green: ♪ I ♪ 1826 01:20:49,413 --> 01:20:50,580 ♪ UH ♪ 1827 01:20:50,647 --> 01:20:54,951 ♪ I'M SO IN LOVE WITH YOU ♪ 1828 01:20:55,018 --> 01:20:59,356 ♪ WHATEVER YOU WANT TO DO ♪ 1829 01:20:59,423 --> 01:21:04,761 ♪ IS ALL RIGHT WITH ME ♪ 1830 01:21:04,828 --> 01:21:08,331 ♪ 'CAUSE YOU MAKE ME FEEL ♪ 1831 01:21:08,398 --> 01:21:13,670 ♪ SO BRAND-NEW ♪ 1832 01:21:13,737 --> 01:21:17,474 ♪ I WANT TO SPEND MY LIFE WITH-- ♪ 1833 01:21:17,541 --> 01:21:19,543 [RECORD SCRATCHES] 1834 01:21:19,609 --> 01:21:21,144 Man: WE'RE HERE WITH AN EXCLUSIVE LOOK 1835 01:21:21,211 --> 01:21:24,081 BEHIND THE SCENES OF THE MOVIE ON THE LINE. 1836 01:21:24,147 --> 01:21:25,382 CHECK. N'SYNC? 1837 01:21:25,449 --> 01:21:27,184 YEAH. MORE LIKE N'STINK. 1838 01:21:27,250 --> 01:21:28,318 YOU CAN'T SAY THAT. 1839 01:21:28,385 --> 01:21:29,553 I DID. I DON'T CARE. 1840 01:21:29,619 --> 01:21:31,121 IS THE CAMERA ON? 1841 01:21:31,188 --> 01:21:33,990 THE TWO OF US RIGHT HERE, WE ARE VERY, VERY PROFESSIONAL 1842 01:21:34,057 --> 01:21:35,125 ABOUT EVERYTHING WE DO. 1843 01:21:35,192 --> 01:21:36,793 UNLIKE SOME POOP STARS. 1844 01:21:36,860 --> 01:21:40,163 I MEAN, SERIOUSLY, JOEY'S ONE THING, BUT LANCE... 1845 01:21:40,230 --> 01:21:43,100 I LOVED YOU FROM THE MINUTE I SAW YOU ON THE "L"? 1846 01:21:43,166 --> 01:21:44,568 THAT WAS VERY CONVINCING. 1847 01:21:44,634 --> 01:21:46,737 I LOVED YOU FROM THE MOMENT I SAW YOU ON THE "L"? 1848 01:21:46,803 --> 01:21:48,905 WHERE'S THE WRITER? WHERE'S THE WRITER? 1849 01:21:48,972 --> 01:21:51,541 ANGELO, HOW MANY TIMES DO I HAVE TO TELL YOU 1850 01:21:51,608 --> 01:21:54,478 I NEED HEIGHT? I WANT TO SEE THIS FROM CHINA! 1851 01:21:54,544 --> 01:21:56,246 CHINA--OK. GIMME THAT. 1852 01:21:56,313 --> 01:21:58,115 I JUST-- DID I SAY YOU COULD SPEAK? 1853 01:21:58,181 --> 01:21:59,683 OW! OH OH OH! 1854 01:21:59,750 --> 01:22:01,485 ARE YOU GUYS FOR REAL? 1855 01:22:01,551 --> 01:22:03,286 YEAH. YEAH. 1856 01:22:03,353 --> 01:22:04,554 ANGELO. WHAT'S UP? 1857 01:22:04,621 --> 01:22:05,822 YOU GUYS ARE AMAZING! 1858 01:22:05,889 --> 01:22:07,691 YOU LOOK LIKE A MILLION DOLLARS! 1859 01:22:07,758 --> 01:22:09,559 I MEAN, IT'S YOU LOOK INCREDIBLE. 1860 01:22:09,626 --> 01:22:11,495 JOEY, I HAVE 2 WORDS FOR YOU. 1861 01:22:11,561 --> 01:22:14,898 YOU ARE THIS GENERATION'S MARLON BRANDO. 1862 01:22:14,965 --> 01:22:16,666 AND, LANCE, I HAVE 3 WORDS FOR YOU. 1863 01:22:16,733 --> 01:22:19,402 DE-KNEE-ROW. KNOW WHAT I'M SAYING? 1864 01:22:19,469 --> 01:22:20,871 JUST PROMISE ME I CAN DO YOUR HAIR 1865 01:22:20,937 --> 01:22:22,572 FOR THE ACADEMY OF AWARDS, PLEASE? 1866 01:22:22,639 --> 01:22:24,007 AND I'LL DO MAKEUP. 1867 01:22:24,074 --> 01:22:26,710 YOU TWO ARE THE BEST. I'LL NEVER FORGET THIS. 1868 01:22:26,777 --> 01:22:28,712 REALLY? MEANS A LOT. THANKS. 1869 01:22:28,779 --> 01:22:32,682 ♪ WITH YOU ♪ 1870 01:22:32,749 --> 01:22:36,987 ♪ LET ME SAY THAT SINCE, OH ♪ 1871 01:22:37,053 --> 01:22:41,591 ♪ SINCE WE'VE BEEN TOGETHER ♪ 1872 01:22:41,658 --> 01:22:45,862 ♪ LOVIN' YOU FOREVER ♪ 1873 01:22:45,929 --> 01:22:50,600 ♪ IS WHAT I NEED ♪ 1874 01:22:50,667 --> 01:22:54,404 ♪ OH, LET ME BE THE ONE ♪ 1875 01:22:54,471 --> 01:23:00,310 ♪ YOU COME RUNNING TO ♪ 1876 01:23:00,377 --> 01:23:03,780 ♪ I'LL NEVER BE ♪ 1877 01:23:03,847 --> 01:23:07,884 ♪ UNTRUE ♪ 1878 01:23:07,951 --> 01:23:09,419 ♪ EVERYBODY SING ♪ 1879 01:23:09,486 --> 01:23:12,689 ♪ LET'S ♪ 1880 01:23:12,756 --> 01:23:17,260 ♪ LET'S STAY TOGETHER ♪ 1881 01:23:17,327 --> 01:23:20,230 ♪ LOVING YOU WHETHER ♪ 1882 01:23:20,297 --> 01:23:21,998 ♪ WHETHER ♪ 1883 01:23:22,065 --> 01:23:26,203 ♪ TIMES ARE GOOD OR BAD, HAPPY OR SAD ♪ 1884 01:23:26,269 --> 01:23:27,938 ♪ THAT'S RIGHT, YOU HEARD THE MAN ♪ 1885 01:23:28,004 --> 01:23:29,773 ♪ NOW COME ON, LET'S STAY TOGETHER ♪ 1886 01:23:29,840 --> 01:23:31,541 ♪ YOU AND ME COULD BE TIGHT FOREVER AND EVER ♪ 1887 01:23:31,608 --> 01:23:33,443 ♪ WHETHER DAY OR NIGHT AND WHATEVER THE WEATHER ♪ 1888 01:23:33,510 --> 01:23:35,946 ♪ LET'S LIVE ONE LIFE, GIRL, NEVER SHOULD WE SEVER ♪ 1889 01:23:36,012 --> 01:23:37,647 ♪ YOU HOLD THE POWER TO GIVE HIM WHAT HE NEED ♪ 1890 01:23:37,714 --> 01:23:40,183 ♪ IT'S LIKE EVERY SINGLE FLOWER BEGINS WITH A SEED ♪ 1891 01:23:40,250 --> 01:23:42,085 ♪ JUST GIVE HIM WHAT YOU GOT, YOU KNOW WHAT I MEAN? ♪ 1892 01:23:42,152 --> 01:23:44,754 ♪ AND IF NOT, I'LL LEAVE IT UP TO AL GREEN ♪ 1893 01:23:44,821 --> 01:23:47,757 ♪ LET ME BE THE ONE ♪ 1894 01:23:47,824 --> 01:23:52,829 ♪ YOU COME RUNNING TO ♪ 1895 01:23:52,896 --> 01:23:57,167 ♪ I PROMISE I'LL NEVER BE ♪ 1896 01:23:57,234 --> 01:24:01,371 ♪ UNTRUE ♪ 1897 01:24:01,438 --> 01:24:02,739 ♪ EVERYBODY SING ♪ 1898 01:24:02,806 --> 01:24:05,942 ♪ LET'S ♪ 1899 01:24:06,009 --> 01:24:10,480 ♪ LET'S STAY TOGETHER ♪ 1900 01:24:10,547 --> 01:24:13,250 ♪ LOVING YOU WHETHER ♪ 1901 01:24:13,316 --> 01:24:19,756 ♪ WHETHER TIMES ARE GOOD OR BAD, HAPPY OR SAD ♪ 1902 01:24:19,823 --> 01:24:23,059 ♪ SING LET'S ♪ 1903 01:24:23,126 --> 01:24:23,894 ♪ WHOO ♪ 1904 01:24:23,960 --> 01:24:26,396 ♪ LET'S STAY TOGETHER ♪ 1905 01:24:26,463 --> 01:24:28,265 ♪ I CAN'T STAND IT, NO ♪ 1906 01:24:28,331 --> 01:24:31,301 ♪ LOVING YOU WHETHER ♪ 1907 01:24:31,368 --> 01:24:33,136 ♪ WHETHER ♪ 1908 01:24:33,203 --> 01:24:37,474 ♪ TIMES ARE GOOD OR BAD, HAPPY OR SAD ♪ 1909 01:24:37,541 --> 01:24:38,775 ♪ LET ME HEAR YOU ♪ 1910 01:24:38,842 --> 01:24:41,444 ♪ LET'S ♪ 1911 01:24:41,511 --> 01:24:44,014 ♪ LET'S STAY TOGETHER ♪ 1912 01:24:44,080 --> 01:24:45,949 ♪ OH, I LOVE YOU, BABY ♪ 1913 01:24:46,016 --> 01:24:48,885 ♪ LOVING YOU WHETHER ♪ 1914 01:24:48,952 --> 01:24:50,921 ♪ WHETHER, AAH ♪ 1915 01:24:50,987 --> 01:24:53,356 ♪ TIMES ARE GOOD OR BAD ♪ 1916 01:24:53,423 --> 01:24:55,125 ♪ HAPPY OR SAD ♪ 1917 01:24:55,191 --> 01:24:59,629 ♪ I WANT YOU TO SING WITH ME ♪ 1918 01:24:59,696 --> 01:25:01,698 ♪ I WANT TO TELL EVERYBODY ♪ 1919 01:25:01,765 --> 01:25:03,433 ♪ ALL I WANT TO DO ♪ 1920 01:25:03,500 --> 01:25:05,702 ♪ SOMEBODY HELP ME NOW ♪ 1921 01:25:05,769 --> 01:25:07,704 ♪ SOMEBODY HELP ME NOW ♪ 1922 01:25:07,771 --> 01:25:09,673 ♪ SOMEBODY HELP ME NOW ♪ 1923 01:25:09,739 --> 01:25:11,374 ♪ GOOD OR BAD ♪ 1924 01:25:11,441 --> 01:25:12,709 ♪ HAPPY OR SAD ♪ 1925 01:25:12,776 --> 01:25:14,678 ♪ COMING DOWN ♪ 1926 01:25:14,744 --> 01:25:18,248 ♪ WHOOO ♪ 1927 01:25:19,482 --> 01:25:20,917 HA HA HA! 1928 01:25:20,984 --> 01:25:23,019 [CHEERING AND CLAPPING] 1929 01:25:28,792 --> 01:25:30,794 Al Green: HA HA HA!